The Rifftides staff is awash in deadline assignments that yield even more than this blog pays, so we're bound to keep at them. When the waters subside, my plan is to begin surveying some of the CDs that have come in on the tide recently (is this aquarian metaphor getting out hand?). For now, please roam the archives (see the right-hand column) for items of interest that you may have missed. Oh, yes; the headline up there is "Kenny Barron." He is on my mind because I'm going to introduce him this … [Read more...]
Archives for January 2007
Correspondence: Clifford And Soupy
Mark Stryker, the jazz columnist of the Detroit Free Press, read the Clifford Brown posting and wrote: Given Soupy's Detroit connections, I once wrote a story about Soupy and the Clifford tape not long after it first surfaced in 1996. There's no link but I've copied some details below, as well as some of Soupy's other memories. Comedian Soupy Sales, a television pioneer, began rooting around his Beverly Hills garage in 1994 at the request of a documentary producer at the A&E network. Eventually, … [Read more...]
Clifford And Bud
For years, I have heard reports that when the great trumpeter Clfford Brown appeared on a Detroit television program hosted by the comedian Soupy Sales, his performance was recorded. A kinescope has surfaced to confirm the reports. The guest shot with Sales produced what seems to be the only film or videotape of Brown playing. A couple of untypical fluffs at the beginning of "Oh, Lady Be Good" indicate that he had no time to warm up, but once Brownie got underway, his technique, imagination, … [Read more...]
Finnerty On Brecker
Barry Finnerty, a guitarist who worked with Michael Brecker in the Brecker Brothers band of the late 1970s, has posted a lengthy reminiscence about his friend. It includes this paragraph: He used to take his humility to extremes sometimes... he would complain to me that he hated his own playing, was tired of all his licks, that he felt he was doing nothing but endlessly repeating himself on every solo he took. I couldn't sympathize with him too much on that one. I'd tell him, "I should be able … [Read more...]
Woody Herman On Requests
They're asking for ludicrous, ridiculous kinds of tunes. It could be "Johnson Rag," or "Don't you have any Russ Morgan pieces?" or they're always getting your tunes mixed up with someone else's, so you get requests for "Green Eyes" or "Frenesi" or "In The Mood." And they get some very terse replies like "No," or "He quit the business," or "I'll play that when I get to the big band in the sky." It becomes a kind of standup routine. Certainly anyone has a right to ask for anything, but I can't for … [Read more...]
New Things To Hear And See
Please adjourn to the exhibit in the right-hand column under the sign reading Doug's Picks for the Rifftides staff's latest recommendations. The Louis Armstrong book is a holdover because no one on the staff has had time to read a new book. Hey, it was the holidays. … [Read more...]
CD
John Gross, Dave Frishberg, Charlie Doggett, Strange Feeling (Diatic Records). Gross, the outside tenor saxophonist; Frishberg, the inside pianist; and Doggett, the adaptable young drummer, meet on the common ground of a brilliantly assembled repertoire. The pieces are by Ellington, Strayhorn, Monk, Cohn, Davis, Brookmeyer and McFarland. Gross is calm in his delivery of solos that burn with convincing ideas. Frishberg is a foil for Gross's daring excursions and a soloist of forthrightness, … [Read more...]
CD
Fats Waller, If you Got to Ask, You Ain't Got It (Bluebird/Legacy). This is not a comprehensive Waller set, but a well chosen three-disc survey of the stride pianist whose song writing, singing and irrepressible personality made him an American favorite son in the 1930s and early '40s. Even listeners who have the seventeen CDs Bluebird released toward the end of the last century will want this box because of the 98-page booklet. The photographs, the introduction by producer Orrin Keepnews and … [Read more...]
CD
Paul Carlon Octet, Other Tongues (Deep Tone). From Red Norvo to James Moody, Ray Charles, Rod Levitt, Gil Evans, Lee Konitz and Bill Kirchner, I'm a sucker for medium-sized ensembles supported by resourceful writing. To the list add this octet of New Yorkers led by saxophonist and flutist Carlon. The orientation is Latin, the arranging at once economical and adventurous. Billy Strayhorn's "Smada" becomes a danzón, Emily Dickinson's poem "A Certain Slant of Light" inspires a pointillist reverie, … [Read more...]
DVD
Amalia Rodrigues: The Spirit of Fado (MVD World Music Talents). Rodrigues was the leading interpreter of fado, the moody music that expresses Portugal's national preoccupation with fate. In fado at its best there is a commonality with jazz in the give-and-take among the perfomer and the guitar accompanists. Rodrigues could be as moving as Billie Holiday or Edith Piaf. In the form of a documentary, the film traces her career to her death in 1999 at age 79. The logy script does not diminish the … [Read more...]
Book
Louis Armstrong, Satchmo: My Life In New Orleans (Da Capo). A friend asked me recently, "What's the best book about Louis Armstrong?" It may turn out to be the one Terry Teachout is writing, I said. I told him about Armstrong biographies by Gary Giddins, Laurence Bergreen, James Lincoln Collier, Max Jones-John Chilton and others, all with their strengths. But I suggested that if he had not read Armstrong's own account of his youth, that would be the place to start. This modest little … [Read more...]
Comment: On Floyd Standifer
Bill Crow writes from New York: So sorry to hear of Floyd's passing. When I returned to the Seattle area after 3 years in the Army, I met Floyd and Quincy and Gerald Brashear and Buddy Catlett and Kenny Kimball and Ray Charles. We played a lot together in the music annex of the University of Washington. I was a valve trombonist and Buddy Catlett was a good alto player. Neither of us had any idea of playing the bass at that time. I loved Floyd's playing and his sweet nature. He could have … [Read more...]
Floyd Standifer
From Seattle comes news that Floyd Standifer died Monday night. The trumpeter, saxophonist and vocalist went into the hospital in late December for treatment of a shoulder problem. Doctors discovered that his shoulder pain came from cancer that had spread to his lungs and liver, and that his circulation was defective. Two weeks following a leg amputation, his heart gave out. He was seventy-eight. Standifer spent most of his career in the Pacific Northwest, but musicians … [Read more...]
…and…Feitlebaum
A little research discloses that the man who did that brilliant dual-personality lip-synch performance to Charlie Parker's and Dizzy Gillespie's "Leap Frog" is named Jeremiah McDonald. He has other clips on YouTube, none of them based in jazz. Still, jazz listeners who dig Spike Jones (there are more of them than you might think) will get a nostalgic charge from McDonald's treatment of this classic by Doodles Weaver, the Jones band's all-purpose nut. For more about Jeremiah McDonald, aka The … [Read more...]
Compatible Quotes
After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player. --Ornette Coleman I am an improviser...I improvise music. Whatever you want to call it all, it is all improvised music. I may capture it and go back and write it down for others, but it was originally improvised. --Joe Zawinul … [Read more...]
A George Cables Moment
George Cables played a concert at The Seasons performance hall the other night. It was the kind of evening his listeners have come to expect, flowing with the inventiveness, technical skill and joy that Cables has demonstrated in a four-decade career with Art Pepper, Dexter Gordon, Sonny Rollins, Joe Henderson, Freddie Hubbard and Art Blakey--a few names from the long list of his colleagues. Cables, bassist Chuck Deardorf and drummer Don Kinney gave two stimulating trio sets in the acoustically … [Read more...]
Tom Talbert Query And Answer
If you follow the links at the ends of Rifftides items, you'll know that the distinguished Toronto broadcaster Ted O'Reilly commented on the recent Rod Levitt item. In his restrained way, O'Reilly wrote, in part: Wow, yeah! Rod Levitt. In the '60s RCA Canada did not release those LPs in Canada, but John Norris was running the jazz department at the main Sam The Record Man store and astutely imported some US copies. I got them all for the radio station where I worked, and played the hell out of … [Read more...]
More on Brecker
Tenor saxophonist Mark Turner offers a heartfelt, forthright evaluation of Michael Brecker, including this: I saw him put his horn on at clinics and soundchecks and--cold, without warming up--instantly play the most f------- incredible sh--, stuff that most saxophonists simply cannot deal with. Okay, I cleaned it a little up for a family audience. To read all of Turner's unexpurgated throughts about Brecker, go to The Bad Plus web log, Do The Math. Pianist Ethan Iverson writes most of the … [Read more...]
Michael Brecker Remembered
Trumpeter Randy Sandke knew Michael Brecker for nearly forty years, since both were college freshmen. Thought by many to be the most influential saxophonist since John Coltrane, Brecker died on Saturday, January 13, of leukemia brought on by myelodysplastic syndrome (MDS), a rare cancer of the blood marrow. After saying his final goodbye to Brecker, Sandke wrote the following remembrance of his friend. We are honored that he chose Rifftides to publish it. Michael Brecker as I Knew HimBy Randy … [Read more...]