Over the long weekend, we lost Anita O’Day, who died in Los Angeles on Thanksgiving day. She was eighty-seven. The stalwart bassist Walter Booker is also gone, dead in New York on Friday at the age of seventy-three.
O’Day was the last of the great female jazz vocalists who emerged in the swing era. She survived Ella Fitzgerald, Sarah Vaughan, Peggy Lee and Carmen McRae. She had perfect time and pitch, a voice without vibrato and the ability to swing as hard as the top horn players of her era. Her feistiness matched her musicianship and she had the respect of her instrumental colleagues, an honor not always accorded singers. One of the O’Day anecdotes being circulated concerns the time she was overheard correcting her drummer. He told her not to tell him how to play. “I’m not telling you how to play,” she said, “I’m telling you when to play.”
O’Day might have been ill advised to continue singing into her eighties, when after a monumentally rough life about all that remained of her talent was her spirit, but she soldiered on. It is unlikely that anyone could have persuaded her to retire.
For as long as she is remembered, her most indelible image is of the glamorous woman in the black dress with white flounce and spectacular hat singing at the 1958 Newport Jazz Festival. To see and hear her at Newport, click here for “Sweet Georgia Brown” and here for “Tea for Two.” But do not miss a sample clip from her less publicized 1963 Tokyo television special, a superb recital by one of the most important singers of her time.
Walter Booker played with scores of top jazz artists, but he will be best remembered as Cannonball Adderley’s bass player in the late 1960s and early ’70s when Adderley’s quintet was one of the most popular bands in the world. Never a virtuosic acrobat of his instrument, Booker’s specialties were good notes and dependable time, qualities that served Adderley well on more than a dozen Capitol and Fantasy albums including Pyramid. For a reprise of Booker’s life as a musician and as the operator of an important recording studio, go here.
Doug Ramsey on Jazz and other matters...
I’ve been lurking here for several months now and it has become an almost daily habit.Thanks for the time you take to put this blog up; thanks for your remembrances of the many artists who have passed away, as well as those whose paths you have crossed. It’s always pleasant to visit here. I often pick up some insight or a meaningful anecdote as well as a new recommendation to listen to. Just wanted to say thanks.