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Judith H. Dobrzynski on Culture

Merry Christmas: This Year’s Nativity Scene

By tradition, every year about this time I post a nativity scene here, for your enjoyment and contemplation while I am away with family for Christmas. There’s no shortage of possible choices. This year, reminded and inspired by my review of the Giovanni di Paolo exhibition at the Getty, I’ve chosen one by the artist who perhaps most inspired Giovanni: Gentile da Fabriano.

Here is his Adoration of the Magi, dated 1423. It’s in the collection of the Uffizi.

fabriano-adoration-magi

 

Here’s what the Uffizi says about it:

The work was commissioned by a wealthy banker and intellectual Palla Strozzi for the family chapel in the church of Santa Trinita.

This is one of the greatest masterpieces of international gothic style, with its elegant and fairy tale atmosphere and figures in sophisticated poses.

The Adoration of the Magi theme was common since it allowed to hint at the economic prosperity and cultural superiority of who commissioned the work.
The procession of the Magi fills the whole composition and is a chance to flaunt plushy clothes and golden decorations. Behind the three Magi we can recognize the portrait of Palla Strozzi in the man with the falcon.

The sumptuous clothes of the characters, the refined harnesses of the horses, the description of the landscape and the even more magnificent carved wood frame make this work a veritable masterpiece.

In years past, I have shown nativities by Botticelli, Fra Agelico, Petrus Christus and others–but this one is pretty hard to beat for sheer glory!

Have a wonderful holiday.

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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