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Judith H. Dobrzynski on Culture

The Broad Museum Answers Back

Several days ago, I asked here if any other art museums in the U.S. were spending as much money buying art as the Crystal Bridges Museum. I had added up the announced purchases over the past year or so by Crystal Bridges and it came to more than $150 million.

Robert-Longo-Untitled-Fer-010I could think of only the Broad, which hasn’t opened yet, as a contender. This morning, I received an email from the Broad announcing “more than 50 new artworks added to the Broad collection in anticipation of the September 20 opening.”

But I still think CB is spending more. That’s because:

Most of the additions to the 2,000-work Broad collection built by philanthropists Eli and Edythe Broad are artworks that were acquired within a year of the artist producing them, reflecting the museum’s commitment to build a dynamic collection of the most comprehensive and current contemporary art.

Interestingly, though, the names at the top of the release are all well-known. They include Julie Mehretu, Takashi Murakami (with “the largest painting in the Broad collection”), John Baldessari, Ed Ruscha, Jeff Koons, Christopher Wool and Damien Hirst, a 1954 combine by Robert Rauschenberg and three sculptures by Cy Twombly. Less-known Goshka Macuga and Ella Kruglyanskaya were also cited.

In its 50,000 square feet of exhibition space, the Broad will install for its inaugural show about 250 works from the 2,050 or so it owns.

Some of the new highlights:

  • Mehretu’s Invisible Sun (algorithm 8, fable form), 2015, an ink-and-acrylic-on-canvas piece “currently on view at the Art Basel art fair in Switzerland.”
  • Robert Longo’s Untitled (Ferguson Police, August 13, 2014), a charcoal drawing of the Ferguson, Mo. police line last year, after the shooting death of Michael Brown; pictured above.
  • Murakami’s 82-foot-long and 10-foot-high In the Land of the Dead, Stepping on the Tail of a Rainbow.
  • Macuga’s Death of Marxism, Women of all Lands Unite, Suit for Tichý 4 and Suit for Tichý 5.
  • Kruglyanskaya’s Girl on a Hot Day, 2015.
  • Hirst’s Fear, 2002 (thousands of dead flies thickly encrusted in resin)
  • Wool’s Untitled, 2015, the 20th work by Wool added to the collection
  • John Currin’s Maenads, 2015
  • Ruscha’s BLISS BUCKET, 2010; JET BABY, 2011; PERIODS, 2013; WALL ROCKET, 2013; and HISTORY KIDS, 2013 (five lithographs)
  • Koons’s Hulk (Organ)
  • Baldessari’s Pictures & Scripts: Honey – what words come to mind?, 2015; Horizontal Men, 1984; plus a full set of screenprints from his 2012 Eight Soups series (bringing the collection’s Baldessari holdings to 40 works spanning nearly 50 years).
  • Twombly’s three sculptures brings the collection’s holdings in work by Twombly to 22.

More pictures are here.

Photo Credit: Petzel Gallery via The Guardian

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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