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Judith H. Dobrzynski on Culture

Collector To Currier: Take My van Gogh, Please (Temporarily)

vangoghIt’s been a while since I focused on the single-painting exhibitions that I like so much — because they get people to look hard and long and one masterpiece. But I thought I’d shine a little light on a museum that doesn’t get much national attention, the Currier Museum of Art in Manchester, N.H., for something similar — a special two-painting loan show.

The key part is that the two paintings include one by van Gogh – Route aux confins de Paris, avec paysan portant la bêche sur l’épaule — or Path on the outskirts of Paris, with a peasant carrying a spade — from 1887. It’s on loan until end-January, along with Renoir’s Femmes dans un Jardin (Women in a Garden), from 1873, thanks to an unnamed collector. They are being hung in the Currier’s European paintings gallery, near its Monet. The Currier doesn’t own a van Gogh or a Renoir. People in the area would have to go to Boston to see the nearest van Gogh.

More details are here in the press release.

renoirSo while this isn’t, strictly speaking, even a two-painting exhibition, you can bet that the Currier will get more visitors, coming especially to see these pictures — which, btw, work well together, don’ t they?

Thanks to the collector, whoever you are.

Photo Credits: Courtesy of the Currier 

 

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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