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Judith H. Dobrzynski on Culture

Bonus Post: What You’d See If You Were Going To Maastricht

MaastrichtOpeningAlas, I am not going to Maastricht this year for TEFAF, the best art fair in the world, in my opinion. Last year was the 25th edition, and it was spectacular. If you have time to read this, instead of looking at the art on view, you’re probably not there either.

But though Maastricht is known for its Old Masters, it has more to offer — lots of 20th century work, for sure, and some from the 21st century. Presumably, this breadth is why those entering the fair, which begins tomorrow to invited guests and on Friday to the public, will see this piece of contemporary art at the entrance.

VillearealEntitled Mary Poppins, and pictured at left, it’s the largest contemporary art work for sale at TEFAF. Made by Portuguese artist Joana Vasconcelos, “Mary Poppins’ six protective elongated arms of 7 meters (7,65 yards) calls to mind the magical nanny popularized by P.L Travers’ children’s novels. Mary Poppins is made from pre-existing materials and mass-produced objects along with other hand-made crochet and knitted fabrics, collected by Joana on her travels with textiles originating from the UK.” It’s supposed to appear weightless, floating in space.

Just for fun, I’ve also got a picture of last year’s contemporary “welcoming” installation — a light piece by the artist Leo Villareal, at right.

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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