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Judith H. Dobrzynski on Culture

Triple Threat To Chelsea Galleries — And Artists

Chelsea, meet Cork Street. Just as that London gallery district is under threat from developers, Chelsea, too, is having its difficulties this winter. And not a double whammy, but a triple whammy.

First, Sandy hit last fall. Many galleries have cleaned up and are back in business, but many also took hits to their inventory. Where works could be salvaged, there were conservation costs.

All along, partly because of the success of the High Line, developers have had their eyes on properties down there, and many of those who haven’t built already are planning to do so. They’re building commercial and residental buildings. 

Now, as Bloomberg recently reported, rents are soaring, forcing many dealers who don’t own their building to consider moving out. Magdalena Sawon, of Postmasters Gallery, says she is headed back downtown 15 years after leaving Soho — because her rent is about to double. “The mid-range galleries are going to just vanish from Chelsea,” she told Bloomberg, adding “that ‘anything radical or experimental’ will become rarer as dealers seek to cover expenses by staging more-predictable shows that do well commercially.”

This post is about more than real estate – as we’ve been seeing, the mega-dealers are getting bigger and the smaller and mid-sized dealers who help emerging and mid-list artists are getting squeezed out.

Those that do not close will go to the Lower East Side and maybe to Brooklyn (if that’s still cheaper). I happen to think that have one big gallery district is better than a lot of smaller ones, but that doesn’t look like it’s happening.

 

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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