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Judith H. Dobrzynski on Culture

Latin American Art Sales Add Evidence To My Theory

Christie’s sold $27.7 million worth of Latin American art this week. There were 299 lots in the evening and day sales combined, and 84% of them sold by value while 74% sold by lot. Matta achieved a world record price, $5 million for a work, La révolte des contraires (at right), which had been estimated at $1.8 million to $2.5 million.

And there’s more, some evidence for the theory I floated in early May about the contemporary sales — that people are literally buying because they can set a record. Not just conspicuous, but ostentatious consumption, in other words. In the evening sale, 13 new records were set. In the day sale, another 20.

That means that almost 17% of the lots were record-setters. Here’s a list of them. The price numbers are obviously much smaller than those in the contemporary art sales, and a couple of the artists had never sold at auction before, so they were bound to set records unless their works were bought in.

I think some of this money is looking for a safer investment home than the rocky stock markets, as well as buying to show you can. Interestingly, Christie’s also observed that in the evening sale, “Brazilian works performed exceptionally well and were 100% sold.” Brazil’s steamy economy has slowed a little of late.

Photo Credit: Courtesy of Christie’s

 

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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