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Judith H. Dobrzynski on Culture

First Collection-Sharing, Now Curator-Sharing

The subject line in the email was deceptive: “Nelson-Atkins Hires Esteemed African Art Curator,” it said. I almost archived it without reading.

The substance turned out to be more interesting. The N-A is indeed hiring the expertise of Nii Quarcoopome (below), the head of the Department of Africa, Oceania & the Indigenous Americas at the Detroit Institute of Arts — but only 25% of his time. The two museums are curator-sharing.

NiiQuarcoopome.jpgI think we’ll see more of this, and it may mean that curators will see their careers developing along a different path than in the past. More of them will be split between two museums and even more, I project, will become independent curators. Yes, I know that independents exist — I’m predicting that we’ll see more of them — and that they will be used more frequently by major museums. It will be a money-saving move for some and a convenience for others.

According to the press release, Quarcoopome, a native of Ghana, worked with the N-A in 2010 during the the installation of an exhibition he curated that was first shown at the DIA: Through African Eyes: The European in African Art, 1500-Present. The exhibit, “a groundbreaking examination of how African artists expressed the interactions between African cultures and Europeans and Westerners….gave a wide perspective of the African point of view of Europeans, from first encounters and trade relations, to European settlements and colonization, through the contemporary years of post-independence.” (I didn’t see it.)

For his part, Graham Beal, director of the DIA, noted Quarcoopome’s “profound understanding of African society and material culture [which] has resulted in an installation of the DIA’s African collection that brings the art alive for many visitors” and said he was happy to share him.

Quarcoopome holds a doctorate in art history from the University of California, Los Angeles, and has been at the DIA since 2002. Before that he was a curator at the Newark Museum.

You can read more in the press release.

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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