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Judith H. Dobrzynski on Culture

Why Little Notice? Guardi Painting Sets A Big Record — UPDATED

It says something about the art world and its overfocus on contemporary art that a painting can set the record high price at auction for 2011, and smashing a couple of other high marks, too — but the whole thing got little notice in the U.S., though smaller prices did.

guardi1.jpgWhy? Perhaps because it’s an Old Master painting? That’s the only thing I can think of.

Last week, at Sotheby’s London, Venice, a view of the Rialto Bridge, looking north, from the Fondamenta del Carbon, by Francesco Guardi, fetched nearly $42.9 million, including the buyer’s premium — exceeding the high estimate (which does not include the premium). It’s the highest price ever for a Guardi, the highest ever for a “view painting,” and the second highest ever for an Olf Master painting. Here’s a BBC account and here’s one from Dawn, with a few more details.

The buyer has remained anonymous.

UPDATE: Bloomberg, I’ve discovered, covered it too.

 

 

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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