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Judith H. Dobrzynski on Culture

Look Who´s Going To The Biennale…Saudi Women

The Venice Biennale is months away — it opens on June 4 — but the other day there was some somewhat startling news about it: Not only is Saudi Arabia putting forward its inaugural entry, but also it has chosen two women artists to represent the Kingdom. This in a country where women mostly may not drive, among other constrictions.

RajaShadiaAlem.jpgThe artist Shadia Alem and writer Raja Alem — sisters, shown at left — are creating an installation called The Black Arch. Here´s the description:

It is very much about a meeting point of the two artists; of two visions of the world; from darkness to light, and of two cities – Mecca and Venice. The work is a stage, set to project the artists’ collective memory of Black – the monumental absence of colour. The first part of the installation relates to the physical representation of Black, referring to their past. The narrative is fuelled by the inspirational tales told by their aunts and grandmothers, and are anchored in Mecca, where the sisters grew up in the 1970s. As a counter point, the second part of the installation is a mirror image, an illumination, reflecting the present. These are the aesthetic parameters of the work. The Black Arch is also about a journey, about transition; inspired by Marco Polo and fellow thirteenth-century traveller Ibn Battuta – both examples of how cultures were bridged together through travel. The artists explain their intention: “to bring my city of Mecca to Venice, through objects brought from there: a Black Arch; a cubic city, and a handful of Muzdalifah pebbles.”, and to focus on the similarities between the two cosmopolitan cities and their inspirational powers.

As I noted the other day, I am traveling, and I was unable to go to the press conference last Friday about this. I couldn´t ask questions. But unless there´s something about this that I don´t know — the way the artists were chosen, whether subjects were limited, etc. — this strikes me as a good development no matter how it´s parsed. Good to have Saudi Arabia as part of contemporary art, good to have women artists allowed to work there.

Here´s more on the sisters from other sites: here and here.

Photo Credit: Courtesy of the Brunswick Group

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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