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Judith H. Dobrzynski on Culture

Regional Funding Differences And The Distribution of Great Art(s)

When it comes to viewing great art, Americans face a disparity of opportunity — a fact that has always troubled me. It may be politically incorrect, but it shouldn’t be controversial to say that most of the best visual art in the United States lies east of the Mississippi, largely because the East’s museums had a head start. They were richer, and more conscious of catching up with sophisticated Europe, first.

map_arts.gifWhat is more troubling is the perpetuation of this pattern, partly because of money and partly because some areas are better than others at developing and/or maintaining a tradition of funding the arts.

Or so the story has always gone. Now the Foundation Center has provided some analysis — emphasis on “some” — to back up the thesis, and it has displayed its results in a fascinating “Focus on Arts Funding” interactive map that illustrates regional differences. 

The map has limitations: it maps not grants, but the location of grantmakers funding arts and culture, an assumption presumably being that at least some focus more on local/regional giving than national giving (in my experience, a reasonable assumption).

What you will see if you go to the Foundation Center site (link below) and click on a category (on the left, “arts, general,” “humanities,” “museums,” “performing arts,” etc.) is the distribution of grantmakers in that category. Mouse over any given chosen state, and you get the actual number of grantmakers in that state.

So, it’s no surprise that New York consistently comes out on top, in every category. Is it shocking to see that South Dakota, Arkansas and Mississippi have no grantmakers in the visual arts?

Or that, only New York, Pennsylvania and Massachusetts have a sizable number of grantmakers interested in historical activities?

By all means take a look.

So as not to overstate the case, let me repeat what I have said before: Foundations provide a small share of arts funding.

Nevertheless, there’s a problem here. My solution is more, and less equal, partnerships — with richer arts institutions sharing more with those out of their league, which is to say below it. 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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