• Skip to main content
  • Skip to primary sidebar
  • Home
  • About
    • Real Clear Arts
    • Judith H. Dobrzynski
    • Contact
  • ArtsJournal
  • AJBlogs

Real Clear Arts

Judith H. Dobrzynski on Culture

Revolutionary Pictures And The Visual Vernacular

By tradition, when we think of the Revolutionary War and July 4, a couple of paintings spring to mind.

Thumbnail image for Washington-Leutze.jpgThere’s George Washington Crossing the Delaware, by German-American artist Emanuel Gottlieb Leutze.

Thumbnail image for Trumbell-Declaration.jpgAnd there’s John Trumbull’s Declaration of Independence. 

 

Gwood-Revere.jpgAnd Grant Wood’s The Midnight Ride of Paul Revere.

 

 

 

 

 

 

 

 

 

CopleyPaul_Revere.jpg“Picturing America,” an NEH program to teach history via the visual arts, cites the Leutze, the Wood, as well as John Singleton Copley’s Paul Revere (right) and Gilbert Stuart’s Lansdowne portrait of George Washington — which I won’t show here.

And there are too many others all around to display.

But I was not surprised, when I simply Googled images for “Fourth of July” and “Independence Day,” that none of these came up — at least in the first four or five pages.

Only when I did the same search for “Revolutionary War,” did the Leutze show up (along with a few other, lesser art works). And Google is unquestionably the way many people find illustrations of what they want to know about.

How much richer would our visual culture be if we restored these works of art and similar images into the visual vernacular?

Now that would be revolutionary.  

 

 

Primary Sidebar

About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

Archives