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Judith H. Dobrzynski on Culture

“Juicy” Museum Web Features, Surprisingly Not More Common

strawberry2.jpgI’ve been roaming around the continent via the Internet for the last several days, writing about museums in Las Vegas, Fargo, Alberta and Tampa — and in the course of this I’ve found two museum website “innovations” I want to single out. With strawberries — which I hand out from time to time. (No raspberries today.)

The first, especially, is a no-brainer. The Delaware Art Museum has added to its home page, right at the top, in red and white that stands out, a “Please Donate Now” button. Take a look (I can’t copy it).

I checked about 15 other museum websites around the country, and none has so direct, so easy an appeal. Most are leaving their appeals to small “Support” or “Give” or “Make A Donation” links in their web navigation. Of all those I checked, only the Worcester Art Museum comes close — but its “Donate” button is softer.

Donate Now appeals may not work in ordinary times, but these aren’t.

On a completely different note, the Tacoma Art Museum has, at the bottom of its home page, something really smart: buttons that translate the site (Google translation) into six languages — Spanish, German, Chinese, Japanese, Korean and French.

The Metropolitan Museum offers its visitor page information in nine languages other than English, but that’s all. I couldn’t find any foreign language accommodations at MoMA, which like the Met draws many international visitors.  

Yet with so many people around the world visiting museum sites remotely (rankings here), it’s a wonder more museums don’t offer this service.

Strawberries to both.

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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