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Judith H. Dobrzynski on Culture

Altdorfer’s Masterly “Battle of Issus” — A Must-See In Munich

If ever a work of art merited comparison with epic poetry, “The Battle of Issus” is it. Albrecht Altdorfer’s depiction of the moment in 333 B.C. when Alexander the Great routed Darius III for supremacy in Asia Minor is vast in ambition, sweeping in scope, vivid in imagery, rich in symbols, and obviously heroic–the Iliad of painting, as literary critic Friedrich Schlegel suggested.

…

That’s how I started my article, “An Epic Poem In Paint,” that is published in tomorrow’s Wall Street Journal. It’s in the Masterpiece column, which is published every Saturday, and which I have praised here before. Coincidentally, my last Masterpiece for the Journal, published last July, described the Alexander sarcophagus in Turkey’s archaeological museum — one of whose sides also depicts the battle of Issus.

Altdorfer’s version, of course, is far more expansive — this image does not do it justice, as it’s a big picture, about 4 ft. by 5 ft.

altdorfer1.jpg

Oddly, I barely noticed the painting the first time I saw it. It sits in the Alte Pinakothek in Munich in the same gallery as Durer’s Self-Portrait, 1500, and I was so mesmerized by that work on my first visit to the Pinakothek that I didn’t remember the Altdorfer. I wrote about the Durer for the Journal (here), too. 

If you go to Munich, don’t do what I did — they are both masterpieces, as are so many other works there — so take a long look at both. There are no paintings by Altdorfer in the United States; some museums do own drawings, though nothing of this majesty.

Photo: Courtesy Alte Pinakothek  

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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