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Judith H. Dobrzynski on Culture

Are Old Masters Regaining Their Market Power?

RaphaelHeadMuse.jpgBack in September, I wondered here whether the prices for Old Master works, vs. those by many contemporary artists, were seriously out-of-whack. The occasion was an estimate set by Sotheby’s for a rare self-portrait of Antony van Dyck — a seemingly low £2-3 million, or less than $5 million.

That sale takes place tomorrow.

But tonight came word from London that Christie’s had completed an auction of Old Masters that set the record for the highest total in that category — $112.4 million — despite the fact that only 65% of the works in the sale were sold. The previous record sale was $110.2 million in 2007.

On the other hand, this sale included 19th Century works as well as Old Masters, so it’s not directly comparable.

Equally interesting, though, the sale posted a world record at auction forRembrantManArmsAkimbo.jpg any work on paper — $47.9 million for Head of A Muse, a drawing by Raphael (above), which is also the second highest total at auction for any Old Master work, painting or drawing. (The record is $77.2 million for Rubens’s The Massacre of the Innocents, set in 2002.)

And it set a world record at auction for a Rembrandt — $33.2 million for Portrait of A Man With Arms Akimbo (right). The previous record was nearly $28.7 million, paid by Rose Marie and Eijk van Otterloo, whom I profiled here. 

Maybe the market is righting itself…tastes are adjusting. Of, it may be that the market is simply back with strength.

BTW, Christie’s said 46% of the buyers were European vs. 43% American, and 11% from Asia and the Middle east.

Photos: Courtesy Christie’s

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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