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Judith H. Dobrzynski on Culture

Special Delivery: Season’s Greetings From America’s Artists

Demi and Arturo Rodriguez.jpgArtists send Christmas cards, too. Maybe some readers of Real Clear Arts have been lucky enough to receive them.

For the rest of us, there’s an exhibition of examples, drawn from the Archives of American Art*; it’s been on view since Nov. 20 at the Donald W. Reynolds Center for American Art and Portraiture — aka the home of the National Portrait Gallery and the Smithsonian American Art Museum — and continues through Jan. 10, 2010.

Edward F. Dickerson.jpgCalled Season’s Greetings: Holiday Cards From the Archives of American Art, it includes examples by Philip Guston, Alexander Calder, Dan Flavin, Kay Sage, Ernest Blumenschein, Arnold Newman and others.

The Archives, smartly, lets online visitors send one of the nine cards (click on title link, above), three of which I’ve pasted here. From top to bottom, they are by Demi and Arturo Rodriguez made sometime in the 1980s-90s; by Edward F. Dickerson, Noche Crist.jpgsent in 1959 (to printmaker Prentiss Taylor); and by Noche Crist, c. 1962 (also to Prentiss Taylor).

The show is located in the Lawrence A. Fleischman Gallery of the Archives of American Art at the Reynolds Center.

Simultaneously, and also until Jan. 10, the Archives has mounted an exhibit called Winter Wonderland at its New York City research center. It shows holiday cards made by artists and received by painters Kathleen Blackshear (1897-1988) and Ethel Spears (1902-1974). For images in that show, go here.

Photos: Courtesy Archives of American Art

*I consult to a foundation that supports the Archives

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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