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Judith H. Dobrzynski on Culture

Cultural Diplomacy From Iran Means New Galleries

Is Iran, under fire for its nuclear activites, trying a little cultural diplomacy?

ebrahimpour-iran-rotterdam.jpgLast week, the country opened a “Permanent Art Gallery” in Rotterdam, Holland, according to a couple of press reports. Also known as “Iran Art,” it is showing contemporary paintings, miniatures, graphic arts and calligraphy by about 40 artists. They include Iraj Eskandari, Reza Khodadai, and Gizella Sinaii. The opening ceremony was attended by M. Hosseini, deputy ambassador to the Netherlands, and Mahmud Shaluii, director of the Culture and Islamic Guidance Ministry’s Office for Visual Arts.

iran art gallery.jpgThe Tehran Times quotes Shaluii as saying: “After Iran’s successful participation in the Venice Biennale this year and the opening of Iran’s art gallery, it was decided to establish additional galleries in other countries to help introduce Iranian art and artists.” He added that Iran would soon inaugurate a Paris gallery. And he said that he hopes sales from the galleries will boost the art economy.  

The Asian Art Newspaper, however, recently dissected the Venice Biennale and thought Iran’s presence there was diappointing.  

For its first participation at the Venice Biennale, there were high expectations for Iran, all the more so as Iranian contemporary art is considered as promising as Chinese or Indian contemporary art used to be. The artists selected to represent Iran, Iraj Eskandari, Sedaghat Jabbari, and Hamid Reza Avishi were clearly technically speaking good artists, but they were the wrong artists for a biennale focusing on the latest developments in contemporary art. It is unfortunate that some artists from Iran who have already gained international recognition were not seen worthy of representing their country in Venice.

Meanwhile, but unrelated to diplomacy, this summer the Chelsea Art Museum mounted Iran Inside Out, including both artists working in Iran and those part of the diaspora.

This looks like a beginning. Here’s a link to the Tehran Times article, the most complete of the three I discovered.

Photo Credits: PRESS TV (top); Tehran Times (bottom).

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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