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Judith H. Dobrzynski on Culture

Everyone’s a Writer

It has been more than a week since Francis Wilkinson published an incisive commentary in The Week headlined “Is Writing For the Rich?” In it, Wilkinson (below), The Week’s executive editor, dissects a growing problem: the number of people willing to write for free, and where that leaves professional writers, which is even poorer than they used to be.

wilkinson.jpgWilkinson focuses on young writers, unable to get started. But this is a problem for established writers, too — just ask any of the thousands of journalists who’ve been laid off in the last 18 months or the battalions of freelancers trying to ply their trade. I know a Pulitzer-prize-winning reporter/author of three books who is leaving the profession because she can’t find a job and can’t earn a living freelancing.

I called Wilkinson to ask if he’d gotten any reaction from any publishers. “No, nothing,” he said. “They’ve been battered.” He has heard from tons of writers and people who want to be writers. Unless they have other income, few can afford it.

Why should you care? Imho, when you pay writers less, you get less: articles and books are less well-reseached, less well-written, and less thoughtful. They have little value-added editing. Readers have to compensate by reading more things — or they suffer, perhaps without realizing it, from being less well-informed.  

Read Wilkinson’s article here. It’s not news that the business model for publishing is broken, but it’s surprising that more attention hasn’t been placed on writers. And if anyone has any ideas for a new publishing business model, I’d love to hear them.

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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