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Judith H. Dobrzynski on Culture

Laughing and crying – UPDATED

In honor of the Armory Show in New York — where, barring a miracle, sales are likely to be slow — today I was going to post a cartoon that’s on view in an exhibition at the Morgan Library & Museum: “On the Money,” a collection of New Yorker cartoons, is full of very funny drawings by artists commenting on money and how it defines us (whether it belongs at the Morgan is a question for another day, and also related to money). But late yesterday, I learned from the Morgan that it could not grant permission for me to reproduce it. So — you’ll have to visualize.

The cartoon, by Whitney Darrow, Jr., shows an man beside his painting, and reads “Buy now, save up to $50,000.” It was published in September, 1951. Darrow meant the man to be the artist, but now it could well be a dealer, too! 

UPDATED: Last night I ran into a senior figure in the art world, who told me that he’d been told that sales during February’s five-day ADAA Art Show, which I wrote about for the Daily Beast (link), came to just 14 sales among the 70 dealers. I posted that here, with a caveat, and set out to confirm. When I finally reached Linda Blumberg, ADAA’s executive director, she said that was wrong. Speaking from the Armory Show, she did not have numbers at hand; but, she said, more dealers sold something than not, and some sold many pieces. “Granted,” she added, “more were at the lower end of the price scale.” But not all, as I mentioned in the Beast piece.  

I won’t be writing about the Armory Show, but The Art Market Monitor has been keeping track of several reports from the floor.    

 

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About Judith H. Dobrzynski

Now an independent journalist, I've worked as a reporter in the culture and business sections of The New York Times, and been the editor of the Sunday business section and deputy business editor there as well as a senior editor of Business Week and the managing editor of CNBC, the cable TV

About Real Clear Arts

This blog is about culture in America as seen through my lens, which is informed and colored by years of reporting not only on the arts and humanities, but also on business, philanthropy, science, government and other subjects. I may break news, but more likely I will comment, provide

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