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PostClassic

Kyle Gann on music after the fact

The Truth About Youth

From Robin Black’s mouth to God’s ears. And even more true, if possible, about composers.

UPDATE: Allow me to amplify a little. The idea of helping young artists is an attractive one (I’ve done a lot of it myself via publicity and enjoyed doing so), and I eagerly concede Dave Seidel’s point below about the young being at a disadvantage in this economy. It’s not that I desperately need or desire the occasional $3000 cash prize. The issue is that prizes given to young composers often confer upon them a visibility that then tends to follow their careers whether they live up to their early promise or not – let alone the fact that the young composers who win them more often tend to be deft imitators than originals. And so if a composer reaches 35 or 40 without such validations, there are few possibilities to make up that advantage any other way, until finally in your 60s – if you’ve persevered – you get “discovered” by rebellious youngsters. There is no sane reason that the institutional mechanisms by which a composer can become noticed disappear before one is forty. The sentence of Robin Black’s that I identified most with (in fact I’ve written one almost identical) is her response to the MacArthur Foundation:

“I am honored to be asked and will be honored to serve — though I’ll say, as a writer who was too old while emerging for the many ‘under 40’ and ‘under 35’ awards for emerging writers, it’s practically against my religion to shift my gaze from the over-40 set.”

I tell such organizations that there are far too many brilliant composers of my generation who’ve never received their due, and too many thirty-somethings with stellar careers, for me to look around for young composers to recommend. Any young composer offended by this will someday be a middle-aged composer, and may come to appreciate the sentiment.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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