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PostClassic

Kyle Gann on music after the fact

Villain for a Day

I had my most fun day at school ever yesterday. The reason will be arcane to explain. As chair of the arts division, I am on the executive committee, and currently chairing that as well. Last week we made an administrative decision to restrict the divisional listserv for official announcements by the division chair, after a two-year experiment in having it unmoderated, which latter privilege had never been announced and was little used, as far as I know. Anyway, the first non-chair professor to attempt to use the divisional listserv raised a hue and cry and accused the administration of censoring our attempts to send messages to other faculty. The dean called me and ordered me, as committee chair, to put out a message to the faculty posthaste. I did, politely, explaining that it was a return to the previous status quo, made due to a few complaints about faculty abuse, and that a faculty committee had made the change without administration involvement.

Well, we have a few paranoid faculty members, and some bad blood from previous power struggles, and quite a few eyes fell on me. Who were these faculty members who had complained? Why did they have privileged status, and why was I shielding them? What I had called “moderation” of the listserv (I had never used the word) was nothing more than censorship. Why had the committee made this change without widespread faculty discussion? What were we trying to hide? Aside from one polite response to the ringleader I kept my mouth shut, knowing that once it became clear what an insignificant change this was (back to the system we’d used without complaint until 2013) the people attacking me were going to feel awfully foolish, and that I would only compound their embarrassment by needlessly defending myself. And sure enough, once the details were explained at the afternoon’s division meetings, the issue died down and today had vanished from faculty discourse.

But for a few hours I saw myself portrayed in the popular imagination as the kind of nefarious, Machiavellian schemer I only wish I could be in real life – and also was defended by others who don’t know me, but who saw me as an innocent victim of sectarian faculty paranoia. It was an awful lot of heated attention for someone who keeps as low a profile on campus as I do. And it demonstrated how easily the quotidian motivations behind an action can be vastly misinterpreted from the vantage point of an environment rife with long-standing political tensions. This, multiplied by thousands, is what happens in our political discourse every day, but one rarely sees it happen up close.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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