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PostClassic

Kyle Gann on music after the fact

Not Exactly Verbatim

John Cage used to enjoy what repeating what he said was a quotation from Thoreau. Thoreau’s first book A Week on the Concord and Merrimack Rivers did not sell, and at some point the publisher sent him back the remaining 700 copies. According to Cage, Thoreau said in response, “It makes me feel so good that no one is interested in my work, because it leaves me free to go in any direction that is necessary.” I fear that I have played some role in the dissemination of this misquote, for when I Google it my name often comes up. But for a long time I searched through Thoreau’s writings and biographies for it in vain. (Those journals can be quite a haystack when you start looking for needles.)

Today, in Henry S. Salt’s gratifying 1896 biography of Thoreau (of which I bought a frail copy at Concord this week), I ran across what Thoreau actually wrote:

I can see now what I write for, and the result of my labors. Nevertheless, in spite of this result, sitting beside the inert mass of my works, I take up my pen to-night, to record what thought or experience I may have had, with as much satisfaction as ever. Indeed, I believe that this result is more inspiring and better than if a thousand had bought my wares. It affects my privacy less, and leaves me freer.

Fairly different, is it not? You can see what a paradoxical spin Cage put on it; it sounds much more like Cage than like Thoreau. Cage would think of what direction to go next, and do something necessary; Thoreau would find his direction, if any at all, as the day inspired. Cage was aggravatingly fuzzy in his quotations, even more than Ives was, and I regret the role I played in spreading this around, though I enjoyed the defiant quality of the sentiment. I’ve spent many days recently trying to track a common Ives misquotation to its source as well, and I’ll have more to tell you about that shortly.

[UPDATE: Even so, I had a devil of a time finding the exact source in Thoreau’s Journal: Oct. 28, 1853. The PDF search engine in Thoreau’s online Journals is not reliable.]

And while I’m at it, documentary filmmaker Cambiz Khosravi reshot the film footage he had taken of me talking about 4’33”, which is part of his film on Woodstock history being premiered there Wednesday night. If nothing else, you can see how much weight I’ve lost recently.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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