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PostClassic

Kyle Gann on music after the fact

Archives for October 2011

The Woman Behind The Greatest Man

Nuts and bolts music history today. In my keynote address to the festival of Charles Ives’s complete songs, I noted that nothing was known about Anne Timoney Collins, author of the poem on which Ives based his song “The Greatest Man,” a poem printed in 1921 in the New York Evening Sun. Liner notes to recordings of this song give no information, or merely mention that she “flourished” in the 1920s. A couple of weeks ago, however, I was contacted by Anne Timoney Collins’s god-daughter, and between her and her mother and the internet I’ve been able to put together a sketch of her life.

The problem is that, after 1921, the poet used the name Anne Collins professionally, which is a pretty common name. But she collaborated with her sister Alice Timoney on at least three plays – Cloaked in Green (1925), Bottled (1928), and Wilderness Road (1930) – and if you look up Alice Timoney, facts start pouring in. The daughter of Irish immigrants, Anne Timoney appears to have been born in June of 1885; Alice was born Aug. 26, 1892. They lived in Boyle County, Kentucky in the early decades of the century, were living in New York City in the ’30s, and ended up in Dade County, Florida, where Anne, according to my informant, died in the 1970s; Alice died in 1980. They seem to have had some success on Broadway in the ’20s, for their play Bottled received positive reviews in the New Yorker of April 28, 1928 and the Time magazine for May 7. Time calls the authors “sisters, southerners, journalists,” the New Yorker says Bottled was “written and acted by unknowns.” It’s a “quiet and delicious” Prohibition-era comedy about siblings who inherit a money-losing distillery from their father and end up bootlegging under their mother’s nose.

So all those programming “The Greatest Man” can now use 1885-ca. 1970 as the poet’s dates, and perhaps the other information will prove useful. Much thanks to the god-daughter and her mother. Any further information is, of course, welcome. It turns out “The Greatest Man” was not Anne Collins’s greatest claim to fame during her lifetime, even if Ives made it the key to her immortality.

UPDATE: A reader has found a record of an Anne T. Collins, born June 1, 1885, and died in Florida May 3, 1979. To obtain the record I’d have to join one of those services like ancestry.com, and I’ve been down that road before: you join, find no information, then they start billing you monthly and you have a devil of a time trying to unsubscribe. Calling them a scam might be too harsh, but they are certainly run unethically. I list the information provisionally. Someday I’ll try to get it straight from the Dade County records office.

SECOND UPDATE: Dennis Aman, composer and genealogy hobbyist, sends me an obituary for Anne T. Collins from her home-town newspaper:

From: The Advocate-Messenger, Danville, Kentucky, Monday, May 07, 1979

DANVILLE NATIVE ANNE COLLINS DIES AT 94

 Anne Timoney Collins, 94, a playwright, poet and prose writer and a Danville native, died Thursday in Miami, Fla. During the 1920’s two of her plays, “Bottled in Bond” and “Bald Mountain,” were produced in New York City. She had also been a reporter for the old New York World and was a contributor to the New Yorker, the Catholic Digest and the New Orleans Item. Survivors include a sister, Alice F. Timoney of Miami, and a brother, the Rt. Rev. Francis J. Timoney of Nazareth, Ky.

So 1885 to 1979 seem to be the confirmed dates. Of course, since she was born in June, that would mean she was actually only 93 when she died, but the obit writer seems not to have had her birth day. I’d also take the New Yorker‘s word for the title of her first play, since their fact-checking is legendary, over that of the Danbury Advocate-Messenger. Dennis has promised me a death certificate, too. It’s amazing the ambiguities that can accumulate about the simple facts of a life.

THIRD UPDATE, March 26, 2013: I’m in the Ives archive at Yale, and I notice that Ives wrote to Anne Collins asking permission to use the poem on Aug. 20, 1921, and that she replied in the affirmative on Sept. 17.

Music Video from the Hearts of Space

On October 12, the same day I will be in Belgium giving my keynote address at the Third International Conference on Minimalist Music at the University of Leuven, John Sanborn’s video to my piece The Planets (as recorded by the indomitable Relache ensemble) will premiere at the Mill Valley Film Festival at 6:45 at the Smith Rafael Film Center, San Rafael, CA. (Above, a still from “Uranus.”) A second showing will occur Friday, Oct. 14, at 8:45. The 11-day festival draws 40,000 audience members, and I’m very excited by the opportunity to get one of my major works past the circumscribed barriers of the new-music world and out to a larger, nonspecialist audience. John’s films are, I think, magnificent and erudite and sexy, and make the music fly by so fast that the whole thing seems like 20 minutes instead of 75. Below, stills from “Jupiter” and “Mercury,” respectively:

 

You can hear Venus and Uranus on my web site, and purchase the unfortunately rather difficult-to-find CD at the Meyer Media web site. (Maybe we should re-market it as “Soundtrack from the John Sanborn film The Planets“! I know it would sell more copies. Regular people actually buy soundtracks.)

Oct. 16 is the official release date of the 50th-anniversary edition of John Cage’s book Silence, with a new foreword by myself, so this is one of the biggest weeks of my life. [UPDATE, 10.3 – My copy just arrived in the mail.]

While I’m indulging in shameless self-promotion, new-music fan Ulysses Stone has created a playlist of postminimalist music on Spotify, based on my postminimalist discography (which is seriously in need of updating, if I can ever get around to it). Apparently, you need a Facebook page to get on, so I can’t, or won’t.

 

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So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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