• Home
  • About
    • What’s going on here
    • Kyle Gann
    • Contact
  • AJBlogs
  • ArtsJournal

PostClassic

Kyle Gann on music after the fact

The Guys on the Other Side of the Repertoire

I had coffee yesterday with a rising young orchestral conductor, one of the assistant conductors to the New York Philharmonic. He made the remark that he had never seen an orchestra that showed a strong commitment to new music run into financial trouble. When I mentioned the obvious counterexample of Louisville, he said that they had abandoned their interest in new music (or rather, lost funding for the program) ten years before folding. He also commented that conductors who cultivate new and adventurous repertoire (e.g., Salonen and my boss Paavo Jarvi) seem to last in their posts longer than the average six to ten years. He agrees with what I’ve been saying (and said it before I did): that for audience members born after 1975, post-Rite of Spring music is a much bigger draw than 18th- or 19th-century repertoire, and the orchestra needs to start pinning their hopes on it.

I love talking to conductors. They all tried their hands at composing, and they all (though I only meet relatively young ones) feel an idealistic commitment to extending the repertoire toward the present. It’s like living next to a mountain range and then hearing it described by someone who lives on the other side. Of course, the relationship isn’t symmetrical. The eyes of a composer who’s just met a conductor light up with a concupiscence otherwise reserved for scantily-clad statuesque blondes, but the conductors are always nice about it.* Their only collective fault is that they rely too credulously on the composing profession’s official award structures for validation of the music they select. I told the Maestro I thought that being a conductor was the most difficult career anyone could choose; he countered that he felt that dubious honor belonged to composition. He had seen several composer friends reinvent themselves over and over again trying to find a way to survive finanically. But, I replied, when I don’t have a commission, I can always amble into my studio and write another Disklavier piece; I don’t need a group of people to agree to work with me just to exercise my art. I’m sure that my road as a composer would have been easier had I possessed a little charisma, but being a conductor without it is unimaginable.

[*Footnote: Bard has a small MFA program for conductors. I always kid the students that, as they walk across stage to pick up their diplomas, Joan Tower, George Tsontakis, and I will be at the end of the line with stacks of our orchestral scores to give them.]

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

Recent archives for this blog

Archives

Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license