• Home
  • About
    • What’s going on here
    • Kyle Gann
    • Contact
  • AJBlogs
  • ArtsJournal

PostClassic

Kyle Gann on music after the fact

Raised from the Dead

Eastman1.jpg
I thought I’d never live to see the day that more than three hours of Julius Eastman’s music would be commercially available. But today is that day, for New World’s three-disc set of archival recordings (New World 80638-2) – titled Unjust Malaise, an anagram of Eastman’s name – is now in my hands. In case you haven’t been tuned in to the recent buzz, Eastman (1940-1990) was a gay African-American whose rivetingly powerful postminimalist music confronted issues of race and sexual identity, and who died under rather mysterious circumstances at the age of 49. (He died at Millard Fillmore Hospital in Buffalo, but the cause of death remains maddeningly vague. Some assume he had AIDS – the family says not so.)

The New World set contains, in its entirety, a January, 1980, concert at Northwestern University at which I was present as a grad student, including three pieces for multiple pianos – Gay Guerrilla, Evil Nigger, and Crazy Nigger – along with Eastman’s own remarkable spoken introduction. Also here are his early signature piece Stay On It, which the Buffalo Creative Associates toured all over Europe in the ’70s, plus If You’re So Smart, Why Aren’t You Rich? and The Holy Presence of Joan d’Arc. Rich, powerful stuff, based on Eastman’s “organic” conception of music whereby new information is gradually added to a repeating sequence as old information is gradually taken away. And the copious liner notes are by moi – I was surprised, thinking back, to realize how many encounters I had with Eastman between 1974 and ’89. He was a friend of my grad-school composition teacher Peter Gena, but I knew him even before I knew Peter, from appearances at Oberlin (with Petr Kotik) and, notoriously, at June in Buffalo 1975. Naturally, Eastman will be Postclassic Radio‘s Composer-of-the-Month for Nov. 16 to Dec. 15 (hey, at Postclassic Radio we think outside the box) as soon as I can load up Crazy Nigger here, and I’ve got some other archival performances to play not on the New World set.

Photo of Eastman in Perugia, 1974, by Peter Gena.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

Recent archives for this blog

Archives

Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license