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PostClassic

Kyle Gann on music after the fact

Comments Policy

As many of you have quickly noticed, this new format allows for the possibility of comments (I can set this option or not set it per individual post). The way Arts Journal’s comments work, the ones you send go into a holding pen until I OK them. Most people, so far, have kept repeatedly sending, trying to get their comments to appear, but they won’t, automatically. This is as it should be – I’ve spent enough time cleaning obscene nonsense out of my web site guest page to know that you don’t just hand total strangers a can of spray paint and invite them to express themselves. Your comment will appear when I get time to go into the software and publish it, assuming I find it well-intended and insightful.

The way I look at this is as a time-saving feature. I’ve always tried to post and/or respond to helpful comments I get, but sometimes this takes up lots more time than writing the original post did. Now people can do their own writing – I don’t have to paraphrase or edit, and I don’t have to go through the time and delay of writing people back and asking if it’s OK to quote them. I don’t have to answer, necessarily, either. I’m hoping this will more fully acknowledge the range of wonderful responses I get, while meaning a little less work for me.

On the other hand, I don’t get paid to blog here, and this is my space. I don’t owe nobody nuthin’. Anonymous comments will be deleted without becoming public, likewise abusive ones, as well as comments I don’t see the point of. No one will grandstand in this space but me. I’m all for collective wisdom – but if you want to prove how brilliant you are at length, you can start your own damn blog (are there are places that will give you the space for free). If you want to get a group dialogue going, join some new music forum like Sequenza 21. This is my turf, period, end of sentence.

I’ve been warned, by the way, against going wild with the photos, which take up loads of web space and make the site difficult for some people to access. So sorry about those promised photos of Alex Ross’s cats, it looks like you won’t be seeing them here after all. (Too bad, I paid a pretty penny for them on the black market, and some of them caught the felines in real compromising poses.)

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

Recent archives for this blog

Archives

Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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