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PostClassic

Kyle Gann on music after the fact

Orwell Given the Orwellian Treatment

Recent attempts, ironically enough attending his centenary, to make out George Orwell as less than a saint grate on me. Orwell was less than a saint and freely and honestly admitted it, which is what makes him so human, such a kindred and readable spirit. He distrusted the aura of sainthood, and admired Gandhi, for instance, only insofar as he could strip away the suspicious illusion of selflessness that was placed around him. Whether great or not, Orwell remains well worth reading because he was trustable: he told the truth even against himself. Take this passage from the end of his vivid eye-witness account of the Spanish Civil War, Homage to Catalonia:

I had had five days of tiresome journeys, sleeping in impossible places, my arm was hurting damnably, and now these fools were chasing me to and fro and I had got to sleep on the ground again. That was about as far as my thoughts went. I did not make any of the correct political reflections. I never do when things are happening. It seems to be always the case when I get mixed up in war or politics – I am conscious of nothing save physical discomfort and a deep desire for this damned nonsense to be over. Afterwards I can see the significance of events, but while they are happening I merely want to be out of them – an ignoble trait, perhaps.

Those are not the words of a hero: but they are the words of someone who’s not trying to make you think he’s a hero, which is why I return to Orwell’s writings agin and again and again, not because he was a GREAT MAN, but for honest and thoughtful companionship on life’s difficult road. Saints are rare – luckily enough, for they’re not my preferred company. I’m weary of this modern tendency to use a person’s life to discredit his work, or his politics to discredit his philosophy, or his womanizing to discredit his novels, or his antisemitism to discredit his music. I think of all my heterodox opinions, petty hatreds, sins of omission, and embarrassing little vices that future morality-policing historians could glom onto, in the service of whatever political correctness becomes ascendant, to buttress a claim that my music should be shunned, and it makes me go listen to Die Gotterdammerung, just out of spite.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

PostClassic Radio The radio station that goes with the blog, all postclassical music, all the time; see the playlist at kylegann.com.

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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