• Home
  • About
    • PianoMorphosis
    • Bruce Brubaker
    • Contact
  • AJBlogs
  • ArtsJournal

PianoMorphosis

Bruce Brubaker on all things piano

Declassified

June 21, 2010 by Bruce Brubaker

declassified.jpgYou might drink some exceptional wine from a highly-prized and highly-priced vineyard in Burgundy. But if you’re in the know or lucky, this vin might come labeled simply as “Bourgogne” and cost 10 euros instead of hundreds. The wine has been “declassified.” Sold as something more generic and less valuable that what it really is.

Government regulations in France and elsewhere stipulate how much can be produced and labeled from the most venerable appellations. With modern agriculture, there’s often a lot of great wine made at these properties, and then sold off or blended. I drank some of Anne Gros‘ plain “Bourgogne Rouge.” Wow!

Perhaps the quality of musical performance used to follow expectable patterns. Big city orchestra. Small university faculty quartet. A pianist playing at Carnegie Hall. A pianist with a degree from a western state university.

Now, there are so many exceptional musicians coming from everywhere — classical music performance has been declassified. Sometimes the really good stuff comes in a plain bottle. Sometimes the amazing musical communication is taking place in Northampton, or Ames.

Old assumptions don’t serve very well. It doesn’t mean the “grands crus” are not good anymore. It does mean that sometimes the same experience may be much more accessible to many more imbibers. We just need to get our senses, our receptors, our taste buds working and ready.

Filed Under: Uncategorized Tagged With: AOC, appellation contrôlée, artistic quality, artistic vetting, declassification, vetting

Comments

  1. Abby says

    June 22, 2010 at 3:27 pm

    So very true. I couldn’t agree with you more.

  2. Piano says

    June 23, 2010 at 10:45 pm

    Love the insights you gave. Looking forward to more of your articles. Cheers!

Bruce Brubaker

Recordings like the new American piano music albums I make for ECM, InFiné, Bedroom Community, and Arabesque reach millions of listeners, and break through some old divisions of high culture/pop, or art/entertainment. My fans are listening to Billie Eilish, The Weeknd — even the occasional Mozart track! Spotify, Apple Music, YouTube are allowing music lovers to discover music they could not have found so easily before. Live performances begin to reflect what’s happening online. My performances occur in classical venues like the Philharmonie in Paris, the Barbican in London, at La Roque d’Anthéron, at festivals such as Barcelona’s Sónar and Nuits Sonores in Brussels, and such nightclubs as New York’s (le) Poisson Rouge. Read More…

View My Blog Posts

PianoMorphosis

Music is changing. Society's changing. Pianists, and piano music, and piano playing are changing too. That's PianoMorphosis. But we're not only reacting... From the piano -- at the piano, around the piano -- we are agents of change. We affect … [Read More...]

Archives

More Me

BB on the web

“Glassforms” with Max Cooper at Sónar

“Glass Etude” on YouTube

demi-cadratin review of Brubaker solo concert at La Roque d’Anthéron

“Classical music dead? Nico Muhly proves it isn’t” — The Telegraph‘s Lucy Jones on my Drones & Piano EP

Bachtrack review of Brubaker all-Glass concert

“Brubaker recital proves eclectic, hypnotic, and timeless” — Harlow Robinson’s Boston Globe review of my Jordan Hall recital

“Simulcast” with Francesco Tristano on Arte

Bruce Brubaker hosts 4 weeks of “Hammered!” on WQXR — “Something Borrowed,” “Drone,” “Portal,” “The Raw and the Cooked”

“Onstage, a grand piano and an iPod” — David Weininger’s story with video by Dina Rudick

“Bruce Brubaker on Breaking Down Boundaries” — extensive audio interview at PittsburghNewMusicNet.com

“Heavy on the Ivories” — Andrea Shea’s story for WBUR about Bruce Brubaker’s performances and recording of “The Time Curve Preludes” by William Duckworth

“Feeding Those Young and Curious Listeners” — Anthony Tommasini in The New York Times on the first anniversary of the Poisson Rouge

“The Jewel in the Fish” — Harry Rolnick on Bruce Brubaker at the Poisson Rouge

“The Post-Postmodern Pianist” — Damian Da Costa profiles Bruce Brubaker in The New York Observer

Bruce Brubaker questioned at NewYorkPianist.net

“Finding the keys to the heart of Jordan Hall” — Joan Anderman in the Boston Globe on the search for a new concert grand piano

“Hearing and Seeing” — Philip Glass speaks with Bruce Brubaker and Jon Magnussen, Princeton, Institute for Advanced Study

Bruce Brubaker about Messiaen’s bird music, NPR, “Here and Now”

“I Hear America: Gunther Schuller at 80” — notes and programs for concert series, New England Conservatory, Harvard University, Boston Symphony Orchestra

“A Conversation That Never Occurred About the Irene Diamond Concert,” Juilliard Journal

Bruce Brubaker plays music by Alvin Curran at (le) Poisson Rouge

Bruce Brubaker

Recordings such the new American piano music albums I make for ECM, InFiné, and Arabesque reach many listeners, and seem to break through some old divisions of high culture/pop, or art/entertainment. My fans are listening to Cardi B, Childish Gambino, Ariana Grande — even the occasional Mozart track! Spotify, Apple Music, and YouTube are allowing music lovers to discover music they could not have encountered so easily in the past. Live performances begin to reflect what’s happening online: this year I play at the International Piano Festival at La Roque d’Anthéron, traditional concert venues in Los Angeles, and Boston — as well as nightclubs in Berlin, Hamburg, Paris, Lyon, Geneva, and New York’s (le) Poisson Rouge.

Return to top of page

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in