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Performance Monkey

David Jays on theatre and dance

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Archives for June 2016

Anywhere but here

June 17, 2016 by David Jays 4 Comments

We take the world with us when we go to the theatre. Our private swirls of panic and joy. Whatever public pains have been doled out. I came to Shoreditch Town Hall to see YOUARENOWHERE just a short while after hearing that MP Jo Cox had been murdered. Andrew Schneider’s 2015 New York hit is an immensely artful piece, but following Orlando, following everything, and carrying my own bag of private … [Read more...]

Propwatch: the sock in Phaedra(s)

June 13, 2016 by David Jays Leave a Comment

British audiences are no longer scared of European theatre. It has taken us years – decades – to feel relaxed about non-representational stagings, actors stripped of plummy tones, the fourth wall not only breached but blown to smithereens. Ivo van Hove and Thomas Ostermeier are our adorable foreign uncles who visit every couple of years with cool gifts. Katie Mitchell, Simon Stephens and Lyndsey … [Read more...]

Inside out

June 4, 2016 by David Jays Leave a Comment

Crystal Pite’s Betroffenheit. I’m doing it again. Smacking myself on the side of the head because it’s too panicked and busy in there, a snarl of thoughts that go nowhere and that I’m desperate to have stop. I’m stuck stuck stuck, but thwacking doesn’t help. We’re each of stuck in our heads, listening to the jabber of our mind. Musing, browsing, processing thought. Buffeted by feeling, crowded … [Read more...]

David Jays

I am a writer and critic on performance, books and film and currently write for, among others, the Sunday Times and the Guardian. I edit Dance Gazette, the magazine of the Royal Academy of Dance. I’m also a lifelong Londoner: it’s the perfect city for connecting to art forms that both look back and spring forward. [Read More]

Performance Monkey

This is what theatre and dance audiences do: we sit in the dark, watching performances. And then, if it seems worth it, we think about what we've seen, and how it made us feel. The blog should be a conversation, so please comment on the posts and add your thoughts. You know what I've always … [Read More...]

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Archives

Recent Comments

  • Veronica Horwell on Hamilton | Lockdown Theatre Club 17: “Know what you mean about the underpowered pre-17late90s shoulder: a bottle slope approach to body outline — the Hamilton coats…” Jul 8, 13:41
  • Sarah Lenton on Hamilton | Lockdown Theatre Club 17: “Blimey. A tour de force! Hugely enjoyable. Slight demur on whether a period raised fist would have produced a scrunched…” Jul 7, 21:44
  • william osborne on Hamilton | Lockdown Theatre Club 17: “An article that analyzes the serious problems with “Hamilton” by Ed Morales, a journalist and lecturer at Columbia University’s Center…” Jul 7, 20:20
  • william osborne on Hamilton | Lockdown Theatre Club 17: “Indeed, in the late 18th century people learned that properly toned-down attire was important for slave owners proclaiming democracy. And…” Jul 7, 19:28
  • David Jays on Bringing Up Baby | Lockdown Theatre Club 16: “Hello Ana, and thanks so much for this. Joining in is, I hope, easy: we all find the film on…” Jul 3, 16:02
June 2016
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An ArtsJournal Blog

Recent Posts

  • Hamilton | Lockdown Theatre Club 17
  • Bringing Up Baby | Lockdown Theatre Club 16
  • The Go-Between | Lockdown Theatre Club 14
  • Girlhood | Lockdown Theatre Club 13
  • All That Jazz | Lockdown Theatre Club 12

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