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Performance Monkey

David Jays on theatre and dance

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Archives for 2009

And the winner is… old-time sexism?

February 19, 2009 by David Jays 6 Comments

It's the time of rustling envelopes, awkward presentations and a deranged gush of thanks or gracelessness. Awards season reaches its Oscar apogee this weekend, while British theatre continues to scatter statuettes over the profession, leading up to the Olivier Awards ceremony on 8 March. As we know, awards are random acts of randomosity and little weight should be attached to who's in and who's … [Read more...]

You looking at me?

February 17, 2009 by David Jays Leave a Comment

Performance Monkey's blurb claims that theatregoers sit in the dark. Well, not always. In fact, increasingly less often, as site-specific and promenade productions frequently exploit the visible presence of the spectators and implicate them in the show. None has been more eerie, for me, than Punchdrunk's phantasmagoric Faust in 2006. We crammed beaky white masks over our faces and wandered the … [Read more...]

Style wars

February 15, 2009 by David Jays 2 Comments

Most drama we see on stage is historical drama - written, set or referencing the past. Do we ask it to fit our notions of a lost era? Some of these questions popped up the other evening at Barry Lyndon, part of a Stanley Kubrick season at the National Film Theatre in London. My, but it's a brilliantly strange movie - the 18th century but not as we know it. It's the kind of film which is often … [Read more...]

(Funny) foreigners welcome

February 12, 2009 by David Jays 7 Comments

When Britain decides how it should feel about foreigners, it will be a nation transformed. I briefly scratched my head today over the news that comic Omad Djalili, born in London of Iranian parents, will succeed Rowan Atkinson as Fagin in the West End revival of Oliver! in July. A performer whose act riffs off Middle-Eastern stereotypes but whose screen roles often embody them now has a chance to … [Read more...]

Abandon hope (in a good way)

February 9, 2009 by David Jays Leave a Comment

Every cultural moment finds the classic drama that will help it make sense of the present, and I have a feeling that the recession could be the time to return to classic German-language plays. Not so much Schiller and Goethe, but the writers who derived their energies from the fertile, febrile decades between the mid-19th and mid-2oth centuries. London awaits major new productions of Brecht's … [Read more...]

Shadow play

February 6, 2009 by David Jays Leave a Comment

Here in Britain we're often accused of living in the past. This week it's true - specifically 1978, our winter of discontent. There have been unexpected snowfalls, London's public transport ground to a halt, post went undelivered and trash uncollected. And last night the power failed, so we sat around with candles and red wine - free from the laptop at last. Dim light and shadows have not only … [Read more...]

Hare raising

February 3, 2009 by David Jays Leave a Comment

Nominations for Britain's glitziest theatre awards, the Oliviers, have been announced, and Guardian theatre critic Michael Billington is chafing at some omissions. In particular, he feels that Gethsemane, David Hare's new play at the National Theatre, has been neglected. There are a zillion things wrong with awards and their randomised outcomes, but on this point Billington seems pretty much alone … [Read more...]

Practical criticism – when popes go bad

February 2, 2009 by David Jays Leave a Comment

We ran into the pope this summer, as you do. We were aiming for the centre of Cagliari, Sardinia's capital city, but found one street after another was blocked. Traffic accident? Roadworks? Only when someone spotted the 'Il Papa in Sardegna' posters did we realise that his holiness was with us for the day. We began our holiday mooch around, but even on foot, all roads led to the cathedral, and … [Read more...]

Once more – with feeling?

January 29, 2009 by David Jays

The 1950s has become the go-to era in which British directors situate classic plays. Mrs Affleck by Samuel Adamson, just opened at the National Theatre, reimagines Ibsen's Little Eyolf on the Kent coast in 1955. Ibsen's unhappy husband and wife, rancorous in their loneliness, plus their disabled little boy and uncomfortably clingy sister-in-law, occupy a dank town by the sea, and are preoccupied … [Read more...]

Trailer trash

January 27, 2009 by David Jays 5 Comments

Tell me you wouldn't love this. You're settling into your seat at the theatre. The curtain is about to rise on The Jersey Boys , say, or Act Without Words II. But before the show begins, the stars of three or four other shows rush in and hurtle through capsule versions of their productions: all tease and shiver, crackle and charm. Yes, my friends, the monkey would love to see trailers, live on … [Read more...]

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David Jays

I am a writer and critic on performance, books and film and currently write for, among others, the Sunday Times and the Guardian. I edit Dance Gazette, the magazine of the Royal Academy of Dance. I’m also a lifelong Londoner: it’s the perfect city for connecting to art forms that both look back and spring forward. [Read More]

Performance Monkey

This is what theatre and dance audiences do: we sit in the dark, watching performances. And then, if it seems worth it, we think about what we've seen, and how it made us feel. The blog should be a conversation, so please comment on the posts and add your thoughts. You know what I've always … [Read More...]

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