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Speight Jenkins on the art of Opera

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Archives for March 2014

The Cost of Opera

March 31, 2014 by Speight Jenkins Leave a Comment

In 1763, just when Christoph Willibald Glueck was in the process of reforming opera and creating the art form as we know it today, Samuel Johnson described opera as "an exotic and irrational entertainment." Its irrationality comes from its inability to pay its way and its consequent need to be supported--first by the nobility, then by the Gilded society of a century ago, and today by a multitude … [Read more...]

San Diego

March 21, 2014 by Speight Jenkins 6 Comments

The news that San Diego Opera is closing its doors has come as a horrible shock to everyone in opera. The New York City Opera's demise was predicted for so many months that although it was sad when it happened, it was not exactly a surprise. The news from Southern California came as a bolt out of the blue even to those most knowledgable in opera. First of all there is enormous sympathy and … [Read more...]

Education

March 17, 2014 by Speight Jenkins Leave a Comment

I went to San Francisco last Thursday, March 14, for Grandparents' Day at my three grand daughters' school, Hamlin. They are in the first, second, and sixth grade, and I was able to see a lot of their work and talk to their teachers. All the grandparents or special friends were treated to a talk by the head of the school, a very well-spoken woman originally from New York and a graduate of Chapin. … [Read more...]

Gerard Mortier

March 12, 2014 by Speight Jenkins 1 Comment

The death of Gerard Mortier was reported in Monday's New York Times. In 1990 I came to Brussels to see a production of The Damnation of Faust. It turned out not to be in Brussels but to be a concert performance in Antwerp (I have no idea how I received the wrong information). At that time M. Mortier was the Intendant at the Monnaie, the major opera company in Brussels. He invited me to ride in his … [Read more...]

A New Beginning

March 11, 2014 by Speight Jenkins 5 Comments

For thirty-one years I have treasured my position as General Director of Seattle Opera. Today my successor, Aidan Lang, has assumed the position of General Director Designate. He is an excellent man, and I'm sure will excel at the position, presenting operas at the level to which our audience has become accustomed or to new, higher levels. Because of the dramatic change of my status, I am … [Read more...]

Speight Jenkins

After 31 years I have retired as General Director of Seattle Opera. Over that time we produced 92 operas in more than 1,200 performances... … [Read More...]

OperaSleuth

I believe in the power of opera if produced theatrically and sung with emotion. Great artists are those who understand that the words inspired the composer to write the music, and they interpret the words meaningfully with good diction. Everything about opera is emotion, and just to sing accurately … [Read More...]

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