Contrary to my paean to Richard M. Daley’s support of Chicago’s music and arts, Chicago Tribune rock-crit Greg Kot writes of the Mayor’s treatment of the local music scene as a “second class citizen.” It’s true the City has messed with club venues — Marguerite Horberg of established the multi-genre Hot House years back and now runs the progressive culture initiative Portoluz regaled me last weekend with tales of fire inspectors evacuating theaters mid-show over petty infractions and other harrassments; Kot reminds us of Chi’s failure to get behind its indigenous rock, blues, pop and jazz as New Orleans, Austin and other U.S. cities have. Jury’s out on whether Daley’s been overall good or bad for music, but the issue deserves careful analysis, and I urge Jazz Beyond Jazz readers to take a look at Kot’s piece as well as this collaborative Trib report.
Mayor Daley’s music and arts
Shocking news from Chicago: Richard Daley won’t be mayor for life. Yet he’s the Windy City’s most significant patron of culture, leaving a legacy that ought to — that is, should, and might — survive him. Which was unexpected when he succeeded Mayor Harold Washington in 1989, but clear from my visit to Labor Day weekend’s 32nd annual Chicago Jazz Festival.