Ken Franckling

2018 jazz, blues and beyond deaths w/ links

January 21, 2019 by Howard Mandel

Cecil Taylor, March 15, 1929 – April 5, 2018, photo by Sánta István Csaba Not a happy post, but a useful one: here are the hundreds of musicians and music industry activists who died in 2018, as compiled by photographer-writer Ken Franckling for the Jazz Journalists Association. Ken scoured local newspapers, the Jazzinstitut Darmstadt newsletter, AllAboutJazz.com, Wikipedia, the New York Times, Legacy.com, Rolling Stone, Variety, JazzTimes.com, blogs, listserves, Facebook pages and European publications. Links to their fuller … [Read more...]

International Jazz RIPs, 2017

January 8, 2018 by Howard Mandel

Photographer-writer-author Ken Franckling has painstakingly compiled a compendium of more than 400 jazz artists and associates from around the world who died in 2017, with links to obituaries of most of them. Posted at JJANews.org. It's a striking document and useful resource, though Franckling says, sadly, "The list seems to get depressingly longer each year." Maybe that's because jazz itself -- at least as so recorded and promoted -- is now more than 100 years old and the post-WWII generations that gave the art form its fervent … [Read more...]

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

Alan on Dr. John, Back in the Day and Blindfolded: “What a great memory. I had the pleasure of photographing him opening for Alice Cooper in 1972 at the Auditorium…” Jun 7, 14:47
Alan Frohlichstein on Digging Our Roots videos, speakers inspire engagement: “Great program! I am glad I was able to attend. Alan” May 25, 13:20
Howard Mandel on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “The problems are most immediately financial, resulting in fears of eviction and homelessness, caused by losses detailed in the GoFundMe…” May 16, 15:07
G. C. Szmulewicz on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “So what seems to be the problem ??” May 16, 13:40
Diane S Gordon on Guitarist Kenny Burrell shouldn’t be in trouble. But he is.: “Yeah, I was surprised to hear this, especially since I know that he is a professor at UCLA. Apparently, there…” May 13, 08:54

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]