Dee Kalea of Creative Music Photography is old school, in that she's created black and white images of jazz musicians in performance, closeup, usually one-to-a-frame. The passion she's captured, however, is timeless. How she became alert to the precise moment of creative rapture, and intimate with the music beyond the musicians themselves, is a story she tells best herself, in her intro and slide show for the Indegogo campaign she's mounted to raise funds for printmaking, support of public presentations and archival preservation of … [Read more...]
Great new jazz photography #2: Lauren Deutsch’s Made in Chicago portfolio
"Made in Chicago" is true of the photography of Lauren Deutsch, and also the name of the four-day-long collaborative jazz festival she's organized in Poznan, Poland for the past 12 years as artistic director (formerly with Wojceich Juszcsak) on behalf of the Jazz Institute of Chicago. The theme of this year's fest was "Freedom." The photos here of Chicago-based musicians (click to enlarge), in which Deutsch tries to capture the sound of the music through camera movement, were taken in May … [Read more...]
Great new jazz photography: Marc PoKempner portfolio from New Orleans
Photos of musicians making music -- visualizations stirred in the photographers by watching sounds manifest -- are exciting, and as different in style as the photographers and musicians themselves. Marc PoKempner 's portfolio from New Orleans of the Preservation Hall Jazz Band with Cuban drummers at the Music Box Village, a non-profit community arts garden, is the first of a series of great new jazz photos I'll post over the next few days. Check back … [Read more...]
Whatever happened to International Jazz Day?
April 30 -- yesterday -- was celebrated as the sixth annual International Jazz Day with a global webcast from Havana, hosted by Will Smith, headlined by pianist Herbie Hancock and including a couple of dozen top notch musicians from the U.S., Russia, Cameroon, France and Korea as well as Cuba. Did you know? Advance publicity and followup coverage has been but a dot on the attention focused on IJD last year, when President Barack Obama hosted a splendiferous Jazz Day in the White House. Considering the leader of the regime replacing Obama's … [Read more...]
Butch Morris’s workbook for spontaneous composition published
The deathbed wish of composer-cornetist Lawrence Douglas "Butch" Morris (1947-2013) was that his detailed documentation of Conduction®, the method he devised to enable spontaneous composition for ensembles of literally any type employing codified hand-signals, be published in hardcover. This has come to pass. On April 24 and May 1, events in New York City will launch The Art of Conduction, an elegant workbook from art-world publisher Karma with photos of Morris and his text, making his innovative work available for use by anyone/everyone, … [Read more...]
Spring break with Budapest jazz, photos
I went to Budapest for spring break -- to introduce a photo exhibit by my Transylvanian-born friend Sánta István Csaba and help jury the 10th annual Müpa Budapest Jazz Showcase/Talent Exchange, held in the modernist musem and multi-theater complex on the east bank of the icy Danube Feb 3 - 5. As I wrote in my DownBeat article, the sound of the 12 sets I heard was jazz as we think of it now -- virtuosic horns, piano/keyboards and/or guitar, upright or electric basses and drums; vocalists singing standards, spicing up r&b grooves, toying … [Read more...]
Is NYC (still) capital of jazz?
The early January concurrence of the Jazz Connect conference, the annual convention of APAP (Association of Performing Arts Presenters), Global Fest and Winter JazzFest makes a good case for Manhattan being the capital of jazz-and-beyond. It's inarguably true that creative sound-organizing with improvisation and rhythm is world-wide, and our native version -- jazz and its derivatives -- thrives throughout in the US, even in places it's overlooked. And the record biz centralized in NYC, which fed this music's market segment from the '20s … [Read more...]
Jazz warms Chi spots: Hot House @ Alhambra Palace, AACM @ Promontory
There are good arguments for building venues just for jazz. But speaking of arts communities in general: Most are moveable feasts, fluid, transient, at best inviting to newcomers to the table. It's demonstrable that when jazz players and listeners alight at all-purpose spaces such as Chicago's Alhambra Palace, where Hot House produced the trio of saxophonist David Murray, bassist Harrison Bankhead and percussionist Kahil El'Zabar on Monday, Dec. 12, or The Promontory in Hyde Park, where flutist Nicole Mitchell, cellist Tomeka Reid and … [Read more...]
African roots, Middle Eastern extensions in Hyde Park Jazz Fest
Pianist Randy Weston, a magisterial musician at age 90 inspired by jazz traditions and its African basics, and trumpeter Amir ElSaffar, who has devoted himself to incorporating the Middle East's modal, microtonal maqam legacy into compositions for jazz improvisation by members of his Two Rivers Ensemble, were highlights of last weekend's 10th annual Hyde Park Jazz Festival. Both acts brought influences from afar back home. The two-day fest in the neighborhood soon to host Barack Obama's presidential library focused on local performers … [Read more...]
Thomas Chapin on film, with TromBari in Normal IL
Glenn Wilson, a terrific baritone saxophonist and flutist based in Normal, IL, is also a major mensch. Last Saturday, at the end of Normal's Sweet Corn and Blues festival, he organized a free concert and screening of Thomas Chapin: Night Bird Song, a comprehensive documentary about his friend, the usually exuberant alto saxophonist, flutist and composer who died of leukemia at age 40 in 1998. I was invited to lead a post-screening discussion with director Stephanie J. Castillo, who Skyped in from Brooklyn to The Normal Theater. Hear our … [Read more...]
A Great Migration suite from trumpeter Orbert Davis: Audio interview
Orbert Davis -- trumpeter, composer and leader of the Chicago Jazz Philharmonic, has been commissioned by the Jazz Institute of Chicago to write and perform a suite about the Great Migration for the 38th annual free Chicago Jazz Festival. "Soul Migration," for octet, will be heard Sept 1 at 8 pm in Millennium Park's Pritzker Pavillion. With the composition in progress, Orbert spoke about it with me at his home studio, demonstrating with some synthesized samples and even improvising a theme. Thanks to Collin Ashmead-Bobbit for recording the … [Read more...]
MCA-Chicago’s Terrace concerts, acing outdoor presentation
Chicago's Museum of Contemporary Art has aced outdoor music presentations with its Tuesdays on the Terrace series, most recently featuring the string trio Hear In Now performing strong yet sensitive chamber jazz. Drawing a thoroughly diversified crowd to enjoy fresh, creative music in open space on a summer afternoon for free (food and beverages extra) shouldn't be difficult, but it's the kind of programming New York's Museum of Modern Art tried off and on for decades, seldom conquering the format's challenges. Cellist Tomeka Reid, violinist … [Read more...]
Gospel (not my usual bag) keyboards revelations
I'll never be an avid fan, much less an aficionado, of gospel music -- but Lift Me Up, Chicago Gospel Keyboard Masters, new from The Sirens, a local independent label, is clearly full of joy and inspiration. It also is notable for documenting a seldom spot-lit but obviously thriving American roots music scene. Art arising from or meant to beget religious transcendence makes me uncomfortable, but many others aren't so biased, and all kudos go to Steven Dolins, The Sirens producer and my co-religionist, who says, "[G]oing back to Thomas Dorsey … [Read more...]