Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Big fun news: Santana weds Blackman, Herbie & Wayne play

The rare notable jazz wedding to celebrate: Beyond-jazz, rock & Latin guitarist Carlos Santana to drummer Cindy Blackman, who’s had a
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Artists’ promotional photos

great recording year, issuing Another Lifetime, her smashing tribute to the late Tony Williams) and driving Organ Monk, Greg Lewis’s trio album that made my top 10.

Santana’s best albums after the first one always have had a outward reach — Abraxis, Caravanserai, his spiritualized rave up Love, Devotion and Surrender with John McLaughlin and organist Larry (Khalid Yasin) Young, and 1990’s Swing of Delight, featuring ex-Miles men Herbie Hancock and Wayne Shorter (who made music at the wedding), Ron Carter and, yes, Tony Williams. Carlos and Cindy — play hard and prosper!

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Jazz conventions, conferences, celebrations, memorial Jan 6 – 11

The jazz world convenes in two U.S. cities this weekend, as high school and college bands + directors gather at the JEN Conference in New Orleans, jazz presenters focus themselves at the APAP convention in New York City and jazz journalists get together on topics vital to better and continued music coverage at the JJA’s “New Media for New Jazz” conference, in APAP-provided spaces at the Sheraton New York, Jan 7 – 11. Concurrently, 60 new jazz ensembles  showcase in five NYC Greenwich Village clubs for Winter Jazzfest, the NEA celebrates its newly enrolled Jazz Masters at Jazz at Lincoln Center (with live streaming! — see below) and the entire community mourns/celebrates at the memorial service for Dr. Billy Taylor at Riverside Church.

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Fighting history and myth re racial politics in jazz

I completely disagree with the point of Randall Sandke‘s bookWhere the Dark and the Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz. sandke book cover.jpegRather than celebrate a century of inter-racial collaboration modeling society’s progress on civil rights, instead Sandke proposes that a cabal of journalists, scholars and left-leaning “activist” producers exaggerated black musicians’ centrality while downplaying white Americans’ contributions to jazz. He thinks white musicians deserve more attention and credit, if jazz is a true meritocracy; I think instead that the generally accepted shape of jazz’s narrative and its canon is representative of jazz’s meritocracy, and that white musicians for the most part have gotten plenty of notice, plus fame and fortune frequently disproportionate to their artistic achievements. Read my review at JJANews.org — and look for Sandke, a composer-trumpeteras well as author, to post a response, here or there.

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American Bandstand loved Captain Beefheart

In 1966, long before the original Hairspray, black and white teens danced together to the bass overdrive and deep croak of Captain Beefheart and His Magic Band. Today blues lovers, avant-gardists and fans of dada, surrealism and abstract expressionism mourn and celebrate the Captain, aka Don Van Vliet. If you don’t believe people jitterbuged to “Diddy Wah Diddy,” watch the clip. And thanks to Jim Macnie for bringing it to my attention. 

James Moody, bop saxophonist, flutist, humorist: 3/25/25 – 12/9/10

Sad news: Jazz giant James Moody died of pancreatic cancer today, age 85. This is confirmed on Moody’s own website. A brilliant improviser who emerged from Dizzy Gillespie’s big band to join the young turks of bebop (Monk, Bags, Klook, Blakey) in the late 1940s, he became internationally admired for his tenor sax and flute mastery and on-stage good cheer, as when he’d sing both male and female parts to “Moody’s Mood for Love,” his etched-in-gold solo given lyrics by his pal Eddie Jefferson.

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Seasonal electricity: jazz “fusion” in NYC

Fusion, fission, energy and virtuosity reign supreme over coming holiday weeks as jazzers beyond genre constraints fill New York clubs. Starting tonight (Dec. 9) double-necked guitar madman Dave Fiuczynski fires up Iridium with ripping alto saxophonist Rudresh Mahanthappa and jam-band idol John Medeski on keybs; jazz sambas and tangos, ex-Milesian Mike Stern and smooth trumpeter Chris Botti, soul-drench organist Dr. Lonnie Smith and the Bad Plus follow. Details here, at my new column for City Arts-New York. And below — Fuze, vocalist Dean Bowman + Roy Hargrove knock out Miles Davis’ “What It Is” from Decoy (1984, and still state-of-jazz-funk).

More on McFerrin, and the voices of New York

I already posted about Bobby McFerrin’s Jazz at Lincoln Center performance of VOCAbuLarieS, his uplifting choral suite co-composed by Roger Treece — but my new column in City Arts-New York goes further, noting other singers giving voice to Thanksgiving and other warm sentiments. And slightly belated happy birthday to Sheila Jordan, who recently celebrated her 82nd year performing at the Jazz Standard. She’s a peach, and having her with us is something to be thankful for . . . 


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Launch of the Jazz Forward Coalition

A new business-focused collaboration, the Jazz Forward Coalition, announces itself: An influential Midwestern jazz presenting organization, a jazz-speciality public relations firm, a major jazz website, a long-surviving independent record company and Pittsburgh-based strategic marketer firm joining forces to “raise jazz’s profile by enhancing it’s vitality and cultural relevance.” Well, that’s how musicians try to do it. Can an industry-oriented cadre succeed? Read more in my article at JJANews.org.

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AACM at 45: “Creative Musicians” span generations, U.S., globe

The AACM — Association for the Advancement of Creative Musicians — continues after 45 years to encourage highly original, edgy and exciting artists — as I detail in my new City Arts column. Examples in New York City: reedist/composer Henry Threadgill’s Zooid performs tonight and tomorrow at Roulette; trumpeter Wadada Leo Smith’s 22-piece Silver Orchestra and the duo of keyboardist-singer Amina Claudine Myers and drummer Reggie Nicholson are the bill for the AACM-New York”s concluding concert of its fall 2010 season on November 19 at The Community Church of New York; NEA Jazz Master Muhal Richard Abrams, the pianist, composer and improviser who co-founded the organization 45 years ago and has guided it ever since celebrates his 80th birthday by collaborating with two very different small ensembles at Roulette on December 2. 

And in Chicago, an AACM 45th anniversary festival is going on with trombonist-computer composer George E. Lewis, Roscoe Mitchell, Alexander von Schlippenbach, Ernest Dawkins, Douglas Ewart, Mike Reed, Phil Cohran and many others concertizing at the Museum of Contemporary Art, and conducting open master classes. Hail to creative musicians everywhere!

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CareFusion drops jazz fest sponsorships

CareFusion, a global corp. specializing in hospital equipment, has ended its two-year sponsorship of George Wein’s New York Jazz Festival and Newport Jazz Festival, and the Chicago Jazz Festival, a day after reporting the retirement of its Chairman and CEO David L. Schlotterbeck, and the first quarter financials of its 2010 fiscal year. 

The company announced steep revenue losses and plans to cut 5% of its workforce last August; in October, CareFusion recalled 17,000 Alaris PC infusion units, cited by the FDA as a product the use of which has “a reasonable probability” of causing “serious adverse health consequences or death.” But a publicist cautioned against linking these happenstances, and enthused about what she called CareFusion’s jazz-related marketing campaign.

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