I'm very happy to announce the latest ArtsJournal blog, Creative Destruction, by orchestra conductor John Dodson. I met John last summer while I was working on a story for Symphony magazine on new ways of running orchestras. John is music director of the tiny Adrian Symphony in Adrian, Michigan, pop. 21,703. In the past seven years he's remade the orchestra with executive director Susan Hoffman … [Read more...]
The Politics Of Free – Why Giving "Stuff" Away Is An Interesting Business Model
Over at the top of the Studio 360 website on their segment about the state of arts journalism, there's a quote by me that says that the best business model right now is to give away as much "stuff" as you can. Okay, a bit inelegantly expressed, in the course of a long audio interview for the show. You can hear the full segment here: But the idea isn't new. And it's not mine. Cory Doctorow has … [Read more...]
If It Was Just About The Money We'd All Be Making Porn
A movie studio exec once told me that if it were true that Hollywood was only interested in making money, the studios would have long ago ditched what they were doing and made porn. Huge money in porn, apparently. Who knew? Much as it's easy to dismiss the moguls for chasing money, there is an aesthetic at work. And much as it's important to have an eye on the bottom line, to succeed over … [Read more...]
Us Against “Them” (That Anti-Expert Thing Again)
In the Weekly Standard, John Podhoretz has noted the carnage of movie critics at newspapers. He isn't weeping. Movie criticism has been a feature of American newspapers for a century, and sadly, one can count the standout critics throughout that time on maybe two hands. Many of these jobs were filled by reporters or editors who didn't get another plum assignment and were thrown a bone by a gruff … [Read more...]
Incremental Arts. Incremental Arts Journalism?
A few years ago I was hired to consult on a national radio show to develop a plan for covering the arts. I suggested that trying to cover culture in a scattershot way (one from column A, two from column B...) was an archaic approach that ought to be abandoned. Sports isn't covered like that. Politics isn't. Events don't happen in isolation. They're part of an arc of context. Why is it news that … [Read more...]
The Big Newspaper E-Reader Gamble
Several new large-format e-readers are about to go on sale. Newspaper execs are excited:These devices from Amazon and other manufacturers offer an almost irresistible proposition to newspaper and magazine industries. They would allow publishers to save millions on the cost of printing and distributing their publications, at precisely a time when their businesses are under historic levels of … [Read more...]
Is Perfection Killing Classical Music?
Not literally, of course, at least not yet. The ability to edit and fix recordings has long conditioned audiences to expect that the music we hear should be perfect. Has it changed the way performers play in live concert? The role of recordings in the music business has changed. Once, recordings were primarily a product, a way to make money. But classical music recordings haven't made significant … [Read more...]
More Valuable – The Ticket Buyer Or The Donor?
Give an arts organization $1000 and they'll put your name in the program. Buy $1000 worth of tickets and they'll tell you that the cost of your ticket only covered 55 percent (or 40 percent or 30 percent) of the cost of you being there. Then a few months later, long after the performance, they try to hit you up for more money. Gee thanks.Maybe this is backwards. Who's the more valuable member of … [Read more...]
Power Law – Why Arts Organizations Need To Reinvent
Newspaper publishers have been lashing out at Google for aggregating headlines and selling ads on the news feeds. The criticisms are controversial (my thoughts here). Google directs huge rivers of traffic to news stories, and publications like that. But aggregation has in some ways come to compete with the news organizations themselves. Most newspapers have thought of themselves as producers of … [Read more...]
"T" Is For Torture. Period. Just Say It
One of the big failings of traditional media is its fetishization of "objectivity" in the face of facts. At its best, objectivity is an attempt at fairness to present opposing views. But too often it reflexively reduces issues to non-sensical polarized he said/she said arguments without the journalistic application of facts. If I say the sky is green, is it the reporter's job to report the story … [Read more...]
Pianist Rejects American Military From the Stage
Krystian Zimerman is one of the world's best pianists. Sunday night he was making his debut at LA's Disney Hall. And then:Before playing the final work on his recital, Karol Szymanowski's "Variations on a Polish Folk Theme," Zimerman sat silently at the piano for a moment, almost began to play, but then turned to the audience. In a quiet but angry voice that did not project well, he indicated that … [Read more...]
Do we need Institutions To Make Art?
In the early '00's, the movie industry looked on as the music industry's business model was cannibalized by file sharing services. Bandwidth issues bought Hollywood a few extra years to figure out how to adapt to the digital threat. Eventually iTunes proved a viable model to sell music over the web, even as the recording industry devolved into smaller pieces. The movie industry did indeed benefit … [Read more...]
Wanted: The Steve Jobs Of Journalism
The genius of Steve Jobs is not that he has great ideas. Many people have great ideas. It's not that he can hire people with great ideas, or even that he can recognize a great idea when he hears it. The genius of Steve Jobs is that he has the ability to look at a great idea and figure out whether there's a business model to support it. There is no shortage of people who seem to have figured out … [Read more...]
Theatre, Celeb Journalism, And Journalism
Two articles over on the ARTicles blog at the National Arts Journalism Program. First, Laura Collins-Hughes has a take on this year's Pulitzer for theatre and why it's important that the finalists are all women:...women playwrights are vastly underrepresented on our stages. Because "diversity" isn't just a buzzword. The Pulitzer isn't important in itself; it matters because of its ripple effect. … [Read more...]
Short Attention Span Theatre
Mark Ravenhill argues that endless choice has shortened our attention spans, to the detriment of all art.Maybe we should blame the invention of the TV remote control: people often do. At some point around 30 years ago, it became possible to hop aimlessly between channels. Programme-makers became convinced that they had to make a pitch for their show in its opening few seconds, and then keep on … [Read more...]
