Most arts policy debates happen at one scale. Most cultural activity happens at another. It turns out the gap between those two scales — between the world that the arts, funding fights, and nonprofit board meetings live in, and the world where most people actually encounter culture — is so large that it’s worth pausing to measure.
AJ Chronicles: Perils of Philanthropy — The Metropolitan Opera
We collected 118 stories on ArtsJournal [subscribe] this week. Here’s what I learned. The detail that stuck out in the Metropolitan Opera’s announcement last fall that it had made a $200 million deal with the Saudi government to take the company to perform in the Kingdom for three weeks every winter was not the eye-popping […]
LACMA’s New Building: What’s the purpose of art in a Museum?
LACMA proposes a new model for museums. For a long time now, context has been an essential deliverable when you go to a museum. It’s how meaning gets constructed. Just what was so remarkable about the way Constable painted light, and how did it have an effect on the painters who came after?
The white cube gallery was modernism’s insistence that art speak for itself. But it was invented for audiences who already spoke the vocabulary. It assumed the context was already in the viewer’s head. The Geffen revives this for audiences who may not carry that context. Whether that is a brilliant adaptation, a beautiful concession, or just plain incoherence, is the open question of the building.
AJ Chronicles: This Week — Perils of the Algorithmic Culture
The threat isn’t that AI replaces artists. It’s subtler and more coercive: that an algorithmically saturated environment erodes the capacity for the kind of thinking that we like to think art requires. Tolerance for ambiguity. Patience with difficulty. The willingness to be bored before a breakthrough.
AJ Chronicles: How to Fight the Slop
Old systems of certification are failing from every direction: technological, legal, institutional and political. So what’s left when you can’t just say “trust us”? You have to show your work and construct a context, making the case not by institutional credential but by demonstration.
From Messages to Conversations: AI Agents are Changing how we Find Culture
The first audience for your art is becoming a machine. The question isn’t just how to optimize for that machine, it’s what you give it to say, and whether what it says is worth a conversation.
AJ Chronicles: The Excellence Problem and Why it Matters
I don’t mean to be pedantic, but I think defining what we mean by excellence really matters if we’re going to figure out the place of AI in creativity. Four stories this week suggest layers to this debate:
AJ Chronicles: Why Tech Infrastructure is Becoming the Most Important Arts Story of 2026
The infrastructure carrying culture to audiences — legal, technical, financial, corporate — was not built for the creative sector. It was built by and for technology companies, telecommunications firms, and entertainment conglomerates.
AJ Chronicles: What Habermas Feared for our Public Sphere
This week we collected 118 stories. It’s worth noting, I think, that attempts to address the current collapse of the non-profit culture sector are focused on changing market forces. But this is a larger, more systemic set of issues that has corroded all of civic life — from culture to education to journalism to our politics — and the institutions and structures that nurture it. Indeed, these forces are so much bigger than any one sector, it’s difficult to know where to start in addressing them.
What Ireland’s Basic Artist Income Experiment tells us about a new Arts Economy
Ireland demonstrated something: economic insecurity doesn’t just force workers out, it diminishes the overall creative economy. That matters enormously right now, because we are entering a period when a lot of people across a lot of industries are about to lose their job security.
- « Previous Page
- 1
- 2
- 3
- 4
- …
- 31
- Next Page »