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Scott Timberg on Creative Destruction

Futurebirds at Georgia Theatre

September 26, 2015 by Scott Timberg

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FRIDAY night I caught the Athens/Atlanta group Futurebirds at the Georgia Theatre. On record, they’ve developed a style some have called “psychedelic country,” but it’s also textured in a way that brings to mind the gentle lineage of lush electric-acoustic guitar rock that runs from the Velvet Underground’s self-titled album through  the Feelies to Real Estate. Admittedly, these guys are a bit more Southern and swampy.

Live, Futurebirds are a stomping, reverbed-out, My Morning Jacket kind of experience. I could imagine a very good acoustic or folk-den performance by these guys, but in this mid-sized hall they were loud and anthemic, without destroying the complex guitar harmonies. The hometown show was the first supporting their new album, Hotel Parties, which is quite fine. I especially like the song “Deadbeat Hits.”

I expected Futurebirds to deliver live; the surprise for me was opener Hardy Morris, well known to local indie fans for his band Dead Confederate, who draw from both grunge and country-rock. Morris was leading a side project, Hardy and the Hardknocks. I didn’t know a single song of his, but just about every number connected, including the more traditional counMI0003925380try stuff at the end. Great voice, great knack for tuneful, sometimes epic songs. (The inclusion of pedal steel player Matt Stoessel, who I saw at a low-key but satisfying show by acoustic group Cicada Rhythm, added a nice touch of sensitivity and old-school country grace.)

The common denominator of both Morris’s band and Futurebirds was the electric, ’70s Neil Young. Next time I want the show to conclude with an extended, all- hands-on-deck version of “Cortez the Killer.”

This won’t surprise anyone who’ve lived in Athens for a while, but the Georgia Theatre is a very good place to see a show. With very good sight lines, good acoustics (especially with Futurebirds), numerous places to hang out, including a locally beloved roof deck, this was an excellent introduction to the Athens music scene for this transplanted Angeleno.

Filed Under: GA, indie, Neil Young

Scott Timberg

I'm a longtime culture writer and editor based in Los Angeles; my book "CULTURE CRASH: The Killing of the Creative Class" came out in 2015. My stories have appeared in The New York Times, Salon and Los Angeles magazine, and I was an LA Times staff writer for six years. I'm also an enthusiastic if middling jazz and indie-rock guitarist. (Photo by Sara Scribner) Read More…

Culture Crash, the Book

My book came out in 2015, and won the National Arts & Entertainment Journalism Award. The New Yorker called it "a quietly radical rethinking of the very nature of art in modern life"

I urge you to buy it at your favorite independent bookstore or order it from Portland's Powell's.

Culture Crash

Here is some information on my book, which Yale University Press published in 2015. (Buy it from Powell's, here.) Some advance praise: With coolness and equanimity, Scott Timberg tells what in less-skilled hands could have been an overwrought horror story: the end of culture as we have known … [Read More...]

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