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Scott Timberg on Creative Destruction

Benjamin Nugent’s "Good Kids"

February 5, 2013 by Scott Timberg

EVERY once in a while, something – a book, a short New York Times story, an n+1 essay – appears by a mysterious character named Benjamin Nugent, and damn if every time it isn’t funny, smart and insightful.
Now Nugent – who I’ve interviewed over the years on Elliott Smith, songcraft, and the history of nerd-dom – has a new novel called Good Kids. All I can tell you so far is that its opening chapters have some of the best, most well-observed writing I’ve seen on the blurry mystery of teenage-dom: I expect the publisher and reviewers will compare the novel to Noah Baumbach’s movie The Squid and the Whale, and not just for its kid’s eye view of marital discord.
Nugent lived from time to time in Los Angeles during the oughts, which included, I think, a hipster/celebrity brush with greatness I will not get into here. Now back in his native New England, where he lives in Somerville and teaches at Southern New Hampshire University, Nugent happily walked down memory lane a bit for us here at the Misread City. He’s at Vroman’s in Pasadena on Thursday night.
So what years did you live in LA, and how did that time shape or influence your book?

I bounced back and forth between LA and New York from 2003 to 2009. LA was a dominating influence on Good Kids. I grew up in Amherst, Massachusetts, a college town with an insular culture that followed its own peculiar codes. And it looked like a place that lived by its own closed system of rules. It valued decreptitude and liberalism and Jungian self-scrutiny. 

But LA fascinated me because it was this anarchic miasma of a place, a massive spill of broken glass glimpsed from a plane. And yet the little world of people I knew in TV and music was an insular brother/sisterhood, just like Amherst, with its own initially inscrutable codes. There’s a scene in Good Kids at Disney Concert Hall downtown where everybody runs into each other watching Joanna Newsom play with the Philharmonic, and I loved writing it. I was intrigued by this tribe that drew together accidentally from time to time, despite being dispersed across a thirty-mile zone.

Now that you are relocated back to New England, what do you miss most from our shores?

The smell of the hills in Silver Lake; it’s like really strong weed mixed with really healthy cat pee.

Filed Under: books, elliott smith, indie, literary, Los Angeles, rock music

Scott Timberg

I'm a longtime culture writer and editor based in Los Angeles; my book "CULTURE CRASH: The Killing of the Creative Class" came out in 2015. My stories have appeared in The New York Times, Salon and Los Angeles magazine, and I was an LA Times staff writer for six years. I'm also an enthusiastic if middling jazz and indie-rock guitarist. (Photo by Sara Scribner) Read More…

Culture Crash, the Book

My book came out in 2015, and won the National Arts & Entertainment Journalism Award. The New Yorker called it "a quietly radical rethinking of the very nature of art in modern life"

I urge you to buy it at your favorite independent bookstore or order it from Portland's Powell's.

Culture Crash

Here is some information on my book, which Yale University Press published in 2015. (Buy it from Powell's, here.) Some advance praise: With coolness and equanimity, Scott Timberg tells what in less-skilled hands could have been an overwrought horror story: the end of culture as we have known … [Read More...]

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