Collecting the Creative Class

MY recent stories on the struggles of the creative class have hit some people hard — I’ve gotten more emotional responses from these, I think, than anything I’ve written in two decades as a cultural journalist. 


(Due to the mean-spirited, anonymous nature of Internet culture, I’ve also gotten nastier comments than I expected, along with some smaller doses of smart, reasonable criticism.)


In roughest terms, my stories take different angles to look at the same problem — the decimation of the creative class, which includes artists of all kinds as well as the people who distribute and assess their work — in recent years due to digital technology, the recession and changing values.


In any case, as I dig deeper into the issue, I wanted to make all of these pieces available to interested readers. Here’s the series, so far, in total.