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Terry Teachout on the arts in New York City

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A farce fit for a star

July 31, 2020 by Terry Teachout

In today’s Wall Street Journal drama column I review the PBS webcast of the 2016 Broadway revival of Noël Coward’s Present Laughter. Here’s an excerpt.

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PBS has telecast dozens of plays and musicals on its “Great Performances” anthology series since the long-running program made its debut in 1972. Now the network is endeavoring to lift spirits crushed by the coronavirus pandemic by pulling some of those fondly remembered performances off the shelf and rebroadcasting them on Fridays on TV, and for a limited time via free streaming video. This week’s offering is a bedazzling gem, a live performance of the 2016 Broadway revival of “Present Laughter,” Noël Coward’s best play, starring Kevin Kline. Rarely have I laughed so hard as I did when I saw it on stage four years ago, and I am very happy to report that it comes across on the small screen with near-identical comic vitality….

“Present Laughter” cannot be made to take flight without an actor oozing with star quality sufficient to take on the showy leading role that Coward originally wrote for himself and which has since been essayed on Broadway by Clifton Webb, George C. Scott and Frank Langella, a list that gives you a pretty clear idea of what an actor needs to come up to scratch as Garry Essendine, Coward’s barely fictionalized alter ego. The brilliance of Mr. Kline’s performance lies in the fact that he plays Essendine not as a grossly inflated caricature but for truth, which—of course—makes him even funnier…..

*  *  *

Read the whole thing here.

The trailer for Present Laughter:

Replay: Mark Morris’ Four Saints in Three Acts

July 31, 2020 by Terry Teachout

The “overture” to Mark Morris’ staging of the Virgil Thomson-Gertrude Stein opera Four Saints in Three Acts, featuring the Mark Morris Dance Group and performed at the Brooklyn Academy of Music in 2006:

(This is the latest in a series of arts- and history-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: Virgil Thomson on dancers

July 31, 2020 by Terry Teachout

“Dancers are auto-erotic and have no conversation.”

Virgil Thomson, The State of Music

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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