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About Last Night

Terry Teachout on the arts in New York City

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Somewhere down the road

June 1, 2020 by Terry Teachout

Hilary Teachout, my beloved wife and life’s companion, died two months ago this Sunday, and her ashes were returned to me a week and a half ago. Save for that bleak landmark, nothing much has happened to me since her death. Yes, the rest of the world has been turned upside down, but I have discovered that profound grief makes all else seem dim by contrast. I follow the news and register its unfolding horrors, but my sorrow has muted their clamor, and I receive them as if from a great distance. Otherwise, I remain alone in my apartment, waiting for New York to open up again, communicating electronically with friends and family but never seeing them in person.

It struck me a few days ago that I’d spent the past year and more deprived of any sense of a future. As Hilary grew sicker and her health crises more frequent, I was forced to devote a fast-growing part of my time and energy to taking care of her from day to day, putting out fires and doing my best to anticipate the next thing that might go wrong. We had all but lost hope by March that she would ever receive the double lung transplant that we had long believed would change her life, and without that hope, I could no longer see anything but what was directly in front of me. 

Now that I have lost Hilary, all that has changed. Impossible though it is for me to imagine a life without her, the fact remains that I cannot help but have one—that it has, indeed, already begun. I’ve even made a plan for the future: I’m going to drive down to Florida’s Sanibel Island come December, and I will scatter Hilary’s ashes not far from the beach bungalow on the Gulf of Mexico that was the place she loved best. I’d always wanted to take a few days off and drive to Florida, stopping along the way to visit friends and see whatever there might be to see, but her increasingly fragile health made any such adventure impossible. Instead I’ll do so by myself, and my trip will be a kind of pilgrimage, the fulfillment of a promise to lay my spouse to rest in the best of all possible places.

And what will I do between now and then? I know there is no knowing, for the pandemic is firmly in the saddle and rides mankind. In any case, my imagination as yet extends no further than to the simplest of possibilities: I want to see my friends, not on a computer screen but face to face. I want to talk endlessly to them, not just about my own grief but about whatever comes to our minds, and I want even more to listen to them. More than anything else, they are my future, and their love is the source of my shaky but nonetheless abiding belief that I will have some kind of life after Hilary, perhaps even a truly happy one—different, to be sure, but not without possibilities of its own.

When Dylan Thomas died in 1953, his widow plunged herself into drunken, self-destructive mourning, later writing a memoir called Leftover Life to Kill. That is not the way I want to spend the rest of my life, nor is it the way Hilary would have wanted me to spend it. She made that clear: she expected me to go on without her. “You’d better not fall apart after I die,” she told me more than once. I did for a time, but I’m finally starting to pull myself together again, slowly and haltingly but—I trust—surely.

After the British army turned back Rommel’s Nazi troops at El Alamein, Winston Churchill told his people, “Now this is not the end. It is not even the beginning of the end. But it is, perhaps, the end of the beginning.” I hope with all my heart that the same is true of me as well.

*  *  *

Charlie Haden and Pat Metheny play Henry Mancini’s “Two for the Road”:

Winston Churchill speaks before the Lord Mayor’s Luncheon at Mansion House on November 10, 1942:

Just because: Graham Greene talks about writing and boredom

June 1, 2020 by Terry Teachout

Graham Greene talks about writing and boredom in a 1983 interview:

(This is the latest in a series of arts- and history-related interviews that appear in this space each Monday, Wednesday, and Friday)

Almanac: Graham Greene on morality

June 1, 2020 by Terry Teachout

“Morality comes with the sad wisdom of age, when the sense of curiosity has withered.”

Graham Greene, A Sort of Life

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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