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About Last Night

Terry Teachout on the arts in New York City

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Archives for January 3, 2018

Across the Pacific

January 3, 2018 by Terry Teachout

In 1961 my parents moved into a new ranch house in Smalltown, U.S.A., where they lived until they died. David and Kathy, my brother and sister-in-law, live there now, and since my parents were packrats equipped with a big basement, my brother has of necessity become the family archivist. The job suits him, for he has an impeccable memory for trivia and, like me, isn’t even slightly alienated from the past that we share: he loved both of our parents deeply and is proud to have made them proud of him.

From time to time, David sends me little gifts that have turned up in the course of his researches. A couple of weeks ago, for instance, Mrs. T and I returned from Philadelphia to find a box on our front porch that contained three family-related items. Two of them were tins full of Christmas cookies baked by my brother, half molasses and half sugar with red and green sprinkles, all cut with the very same cookie cutters that my mother got out of storage every December. I’m pretty sure he uses the same recipes, too. Each time I eat one of those cookies, I think of the wonderful family Christmases of my youth and smile.

The third item was a colorfully printed, handsomely framed certificate issued on February 12, 1946, by an entity known as “the Golden Dragon, Ruler of the 180th Meridian.” It reads as follows:

To all Sailors, Soldiers, Marines, wherever ye may be and to all mermaids, flying dragons, spirits of the deep, devil chasers, and all other living creatures of the yellow seas, Greetings: Know ye that on the 12th day of Febuary 1946, in latitude 30 degrees N longitude 180 degrees W there appeared within the limits of my august dwelling the USS Admiral C.F. Hughes (AP-124).

Hearken Ye: The said vessel, officers and crew have been inspected and passed on by my august body and staff. And know ye: Ye that are chit signers, squaw men, opium smokers, ice men, and all-round landlubbers that Herbert H. Teachout, having been found sane and worthy to be numbered a dweller of the Far East has been gathered in my fold and duly initiated into the Silent Mysteries of the Far East.

Be it further understood: That by virtue of the power vested in me I do hereby command all money lenders, wine sellers, cabaret owners, cat-house managers and all my other subjects to show honor and respect to all his wishes whenever he may enter my realm. Disobey this command under penalty of my august displeasure.

At first glance the certificate threw me for a loop. Then the light went on: my father must have been presented with it en route to the Philippines, where he served in World War II. So I turned to Wikipedia, where I learned that the Domain of the Golden Dragon is, as I guessed, an unofficial award that is still given by the U.S. Navy to the crew members of ships that cross the International Date Line. The Admiral C.F. Hughes, on which he sailed in 1946, was a troop transport built in 1944 that ferried American soldiers and sailors and Japanese prisoners of war to and from ports in the Pacific. The first transport to reach the West Coast after the Japanese surrender, It remained in use until 1967.

David found the certificate in the course of one of his basement excavations. It was part of a cache of wartime souvenirs, none of which my father ever bothered to show us, just as he never talked about his time in the Army Air Corps unless asked. Not that there would have been much to tell: drafted at the very end of 1944, he did his basic training at Keesler Field in Mississippi, where Neil Simon’s Biloxi Blues is set, but he never saw combat and didn’t make it to the Philippines until after V-J Day.

My father and I weren’t intimate enough for me to ask him awkward questions, so I never quizzed him about his Army days. The only thing he ever told me was that he and Veronica Lake had once shared a plane, a thought that makes me boggle even more now than it did then. After he died, though, my mother explained to my brother that he didn’t talk about the war because he was ashamed not to have been in combat. I have no trouble believing that. Thanks to Verona, his haughty mother, he grew up to be a strong but insecure man who never felt at ease in his own skin and was incapable of believing that he was both a good man and a good father. Small wonder, then, that his unspectacular wartime record gnawed at his pride.

Now that the Greatest Generation is vanishing from the scene in ever-increasing numbers, I find myself thinking more and more about my parents. Having been close to my mother, I’m not surprised that I miss her as much as I do. What surprises me is that I think so much about my father, whom I loved but with whom I could never quite get along. I wish with all my heart that I could have bridged the gap of temperament that separated us. I would give anything to sit down with him one more time and ask him about the war in which he served—and tell him how proud I was of his service, uneventful though it was.

As for the C.F. Hughes, it was broken up for scrap in 2011, and most of the men who sailed on it during World War II have gone, like my father, to their graves. All that remains of his old ship is a plaque on the wall of the National Museum of the Pacific War in Fredericksburg, Texas. It’s not far from Austin, and maybe I’ll go there one of these days.

If I do, I’ll look up the plaque that commemorates the nondescript life of my father’s ship, and hear in my mind’s ear the little speech that Willie Keith delivers at the end of The Caine Mutiny when he turns the U.S.S. Caine over for decommissioning:

It’s a broken-down obsolete ship. It steamed through four years of war. It has no unit citation and it achieved nothing spectacular. It was supposed to be a minesweeper, but in the whole war it swept six mines. It did every kind of menial fleet duty, mostly several hundred thousand miles of dull escorting. Now it’s a damaged hulk and will probably be broken up. Every hour spent on the Caine was a great hour in all our lives—if you don’t think so now you will later on, more and more. We were all doing part of what had to be done to keep our country existing, not any better than before, just the same old country that we love. We’re all landlubbers who pitted our lives and brains against the sea and the enemy, and did what we were told to do. The hours we spent on the Caine were hours of glory. They are all over. We’ll scatter into the trains and busses now and most of us will go home. But we will remember the Caine, the old ship in which we helped to win the war.

My father owned a copy of The Caine Mutiny. He wasn’t a reading man, but I wonder whether he made an exception for that novel, and if he thought of himself when he read those words. I know I do.

* * *

A scene from the film version of Biloxi Blues, directed by Mike Nichols and starring Matthew Broderick and Christopher Walken:

Snapshot: Jimmy Rowles meets Oscar Peterson

January 3, 2018 by Terry Teachout

TV CAMERAJimmy Rowles is the guest on an undated episode of Oscar Peterson & Friends, originally telecast on the CBC. Also heard are Ray Brown on bass and Bobby Durham on drums:

(This is the latest in a series of arts-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: Peter Drucker on the future

January 3, 2018 by Terry Teachout

INK BOTTLE“The only thing we know about the future is that it is going to be different.”

Peter Drucker, Management: Tasks, Responsibilities, Practices

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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