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Terry Teachout on the arts in New York City

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Archives for August 25, 2017

Prince’s return

August 25, 2017 by Terry Teachout

In today’s Wall Street Journal I review the Broadway opening of Prince of Broadway and an important regional revival of Company. Here’s an excerpt.

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Anyone with a more than casual interest in theater needs no reminding that Harold Prince directed the original Broadway productions of “She Loves Me,” “Cabaret,” “Follies,” “A Little Night Music,” “Sweeney Todd,” “Evita,” “The Phantom of the Opera” and “Kiss of the Spider Woman.” That’s a staggering track record by any conceivable standard. Nevertheless, he isn’t exactly a household name west of the Hudson and hasn’t had a hit since the 1994 revival of “Show Boat,” so you can’t help but wonder how savvy a commercial proposition it was for the 89-year-old legend to put together a tribute to himself and call it “Prince of Broadway.”

On the other hand, “Prince of Broadway” is not a budget-pulverizing extravaganza à la “Jerome Robbins’ Broadway” but a nine-singer revue at the 650-seat Samuel J. Friedman Theatre, which is a thousand seats smaller than the nearby house where “Phantom” has been minting money for the past 29 years. That Mr. Prince tried and failed to raise the money to put on a bigger, starrier show is no secret. Instead, he and Susan Stroman, his choreographer and co-director, have settled for a modestly scaled, slickly staged two-and-a-half-hour greatest-hits medley of numbers from 16 of the shows that Mr. Prince has directed and/or produced since 1955. Modest though it is, “Prince of Broadway” looks and sounds fabulous….

“Prince of Broadway” adds up to a pleasingly intimate musical revue full of shining moments, albeit one that feels rather more like a pledge-week TV special than a full-fledged Broadway show….

One of the first musicals that Mr. Prince directed was, of course, Stephen Sondheim’s “Company,” and Barrington Stage Company, which has emerged in recent seasons as one of America’s top regional musical-comedy producers, is currently mounting a stirring revival of Mr. Sondheim’s now-classic study of the problems of postmodern marriage. Directed by Julianne Boyd, it stars Aaron Tveit as Robert, the commitment-phobic New York bachelor whose role was created by Dean Jones in the original 1970 production. I doubt there’s been a better Robert since Mr. Jones left the show. A true tenor with brilliantly gleaming high notes, Mr. Tveit is also a superior actor…

Role for role, this is the best-sung “Company” I’ve ever heard—not just in regional theater, but anywhere….

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Read the whole thing here.

Highlights from the original 2015 Japanese production of Prince of Broadway:

A video of a rehearsal for Barrington Stage’s revival of Company:

Replay: Thelonious Monk plays “Crepuscule With Nellie”

August 25, 2017 by Terry Teachout

TV CAMERAThelonious Monk plays his “Crepuscule With Nellie” (dedicated to his wife) on TV in 1969:

(This is the latest in a series of arts-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: Thelonious Monk on dissonance

August 25, 2017 by Terry Teachout

INK BOTTLE“The piano ain’t got no wrong notes.”

Thelonious Monk (quoted in Robin Kelley, Thelonious Monk: The Life and Times of an American Original, courtesy of Paul Moravec)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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