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Terry Teachout on the arts in New York City

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Archives for January 11, 2017

John Guare’s dark mischief

January 11, 2017 by Terry Teachout

In today’s online Wall Street Journal I review an important Florida revival of John Guare’s The House of Blue Leaves. Here’s an excerpt.

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Even though he ranks among America’s foremost living playwrights, John Guare’s work isn’t done nearly often enough in New York. This season’s Broadway revival of “Six Degrees of Separation” will be that play’s first major New York staging since the original production closed in 1992. That struck me as reason enough to catch the Florida Repertory Theatre’s revival of ”The House of Blue Leaves,” an identically important play which received a big-ticket Broadway revival in 2011 (David Cromer was the director, Ben Stiller and Edie Falco the stars) that inexplicably failed to ring the box-office bell. That version was outstanding in every way—but so is this one, directed with unshowy, profoundly comprehending skill by Chris Clavelli….

“The House of Blue Leaves,” first performed in 1971, is a fearsomely and famously tricky play to bring off, for it illustrates Mr. Guare’s pithy dictum that “farce is tragedy speeded up.” It’s the story of Artie (Greg Longenhagen), an inept blue-collar songwriter from Queens whose wife, Bananas (Rachel Burttram), is clinically depressed beyond hope of cure. He’s fallen in love with Bunny (Carrie Lund), his downstairs neighbor, a brassy golddigger who believes, God knows why, in the commercial potential of Artie’s songs (one of which rhymes “comical” with “yarmulke”) and wants him to send Bananas to an insane asylum, go to Hollywood and make his fortune—meaning her fortune.

As is his wont, Mr. Guare plays this dire situation for belly laughs, mixing in such unlikely supporting characters as a trio of ditsy nuns (Viki Boyle, Michelle Damato and Jason Parrish). But you are never allowed to lose sight for long of the dark desperation of Artie and Bananas, and when things go definitively sour, first with a bang and then a whimper, the laughter gives way to gasps—and tears….

The best American regional theater is as good as it gets, Broadway not excluded. But if I had to pick one show from the past few seasons to epitomize its excellence, it might well be Florida Rep’s “House of Blue Leaves.” It’s one of the finest stagings of a John Guare play that I’ve ever seen, anywhere.

* * *

Read the whole thing here.

The trailer for Florida Rep’s revival of of The House of Blue Leaves:

Excerpts from David Cromer’s 2011 Broadway production of The House of Blue Leaves, starring Ben Stiller as Artie, Edie Falco as Bananas, and Jennifer Jason Leigh as Bunny:

Snapshot: Paul Hindemith talks about Bruckner

January 11, 2017 by Terry Teachout

TV CAMERAPaul Hindemith is interviewed by Seymour Raven about the experience of leading the Chicago Symphony in a performance of Bruckner’s Seventh Symphony. This extremely rare telecast was taped on April 7, 1963:

(This is the latest in a series of arts-related videos that appear in this space each Monday, Wednesday, and Friday)

Almanac: Jon Hassler on the danger of loving an actor

January 11, 2017 by Terry Teachout

INK BOTTLE“The trouble with loving an actress is that once you figure out the meaning of her lines, then you have to figure out if they’re being spoken from a script or from the heart. From the heart, you first suppose. Rachel brings such skill to her acting—to her living—that you naturally thing ‘heart’ first and ‘script’ second. Every word, movement, and glance strike you as genuine. But suddenly you notice in her eyes a flicker of guile or irony or amusement and you begin to wonder; and you go to a play and you see her display some of these same words, movements and glances with the same offhand authenticity, and you wonder further. You wonder where she ever learned that lightness, that deftness, that grace. Did she learn them in life and were they therefore part of her real nature? Or did she learn them in the theater and were they therefore art?”

Jon Hassler, The Love Hunter (courtesy of Mrs. T)

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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