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About Last Night

Terry Teachout on the arts in New York City

TT: Big barrel, rubber fish

October 11, 2013 by Terry Teachout

In today’s Wall Street Journal drama column I have absolutely nothing good to say about Big Fish. Here’s an excerpt.
* * *
Movies used to get made out of musicals. Now it’s the other way round: “Big Fish” is based on Tim Burton’s 2003 film version of Daniel Wallace’s novel about an amiable blowhard whose final illness and death bring his son face to face with the meaning of life. “Big Fish” was one of those nominally serious Hollywood movies in which watered-down Christian symbolism is enlisted in the service of New Age spiritualism, a footless pseudo-religion that demands nothing of its adherents save the inchoate desire to be happier. On Broadway, the content-free feel-goodism of Mr. Burton’s film becomes a devout belief in the transfiguring power of the production number….
Big-Fish.jpgThe conceit of “Big Fish” is that Edward Bloom (Norbert Leo Butz) is a compulsive fabulist who specializes in taller-than-tall stories in which he is invariably the hero: “Be the hero of your story if you can/Be the champion in the fight/Not just the man.” Among those present are a giant, a mermaid, and Will (Bobby Steggert), Edward’s sober-sided son, who has always been embarrassed by his father’s fantasies and now longs to know if there was any truth to them at all.
You can, I suspect, guess the rest, just as you’ve probably already figured out that “Big Fish” adds up to little more than a long string of loosely strung musical numbers in which Edward’s extravagant tales of derring-didn’t are dramatized. Though there’s a plot of sorts, you may find it hard to understand why you should care about it, especially since the climactic epiphany is as sappy as it’s predictable.
John August, whose book is based on his screenplay for Mr. Burton’s film, has contrived to trivialize something that was more than trivial enough to begin with. He had plenty of help, though, from Andrew Lippa, lately of “The Addams Family,” whose songs blend theme-park pop with greeting-card lyrics to babyishly banal effect….
* * *
Read the whole thing here.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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