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About Last Night

Terry Teachout on the arts in New York City

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TT: Happiness is a dingy room

October 7, 2013 by Terry Teachout

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Paul Moravec and I flew to Louisville last Tuesday. Since then we’ve been immersed in rehearsals for the Kentucky Opera premiere of The King’s Man, our third operatic collaboration, which is about to receive a staged workshop production that will share a double bill with a revival of Danse Russe, our second opera. To say that I’m having fun would be to wildly understate the case.
600845_10151876499329287_770217922_n.jpgI learned when Paul and I wrote The Letter for the Santa Fe Opera in 2009 that there’s nothing more exciting–or, on occasion, scary–than the complex process of helping to stage a show that you’ve written. Satchmo at the Waldorf, my first play, which has been mounted four times to date, drove home the lesson even more vigorously. Much to my surprise, it’s turned out that I adore sitting in dingy rehearsal halls (all rehearsal halls, so far as I know, are dingy) and working with the artists who are collaborating on a production of one of my pieces. It’s like restoring a painting: you may think you know what it’s supposed to look like, but you’re forever discovering details of which you’d previously been unaware.
I also learned that I love being around theater people. In addition to being smart and dedicated, they’re trained to be in touch with their emotions, which makes them easy to know. It happens that I’m shy, at times painfully so, but I taught myself long ago how to act like an outgoing, extroverted person in order to function in the world. No doubt this explains why I get along so well with actors and singers, many of whom–surprise, surprise–do pretty much the same thing all day long.
If anything, I’m even more comfortable in the company of directors, designers, and stage managers. Like me, they’re wallflowers at the party, backstage creatures who create and maintain the visible worlds that the actors inhabit. We speak the same language. The assistant stage manager for our show actually wore a Daria T-shirt to my first production meeting. As soon as I saw it, I said to myself, “I belong here.”
BVvys7RCUAALKvL.jpgThis is the first time that Paul and I have worked with Kentucky Opera, and we’re dazzled by the quality and seriousness of our new colleagues. That their collective energies should be directed toward the mounting of a piece whose words I wrote continues to strike me as utterly fantastic. Yes, I’ve done this before, but prior to 2008, when the Santa Fe Opera commissioned The Letter, it had never before occurred to me that I might try my hand at writing for the stage. Now I’m a full-fledged theater person in my own right. How preposterous–and how wonderful!
We open on Friday night. On Sunday I return to New York, and I’ll fly down to Florida the next day to kick off the book tour for Duke: A Life of Duke Ellington, which goes on sale October 17. I doubt I need to tell you that I’m excited about the publication of Duke. Still, I can’t deny that right now, I’d be content to spend the rest of my life showing up at Kentucky Opera’s rehearsal hall each day, striving to make The King’s Man and Danse Russe look and sound just a little bit better than they did the day before. That’s my idea of a good time.

TT: Just because

October 7, 2013 by Terry Teachout

Raymond Burr’s 1956 screen test for the Perry Mason TV series:

(This is the latest in a series of arts-related videos that appear in this space each Monday and Wednesday.)

TT: Almanac

October 7, 2013 by Terry Teachout

“I have sometimes suspected that the only thing that holds no mystery is happiness, because it is its own justification.”
Jorge Luis Borges, “Unworthy”

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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