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About Last Night

Terry Teachout on the arts in New York City

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TT: Lookback

November 13, 2012 by Terry Teachout

4.jpgFrom 2006:

Putting aside for a moment the insurmountable problem of its content, it was the agonizingly slow pace of The Birth of a Nation that proved to be the biggest obstacle to my experiencing it as an objet d’art. Even after I sped it up, my mind continued to wander, and one of the things to which it wandered was my similar inability to extract aesthetic pleasure out of medieval art. With a few exceptions, medieval and early Renaissance art and music don’t speak to me. The gap of sensibility is too wide for me to cross. I have a feeling that silent film–not just just The Birth of a Nation, but all of it–is no more accessible to most modern sensibilities….

Read the whole thing here.

TT: Almanac

November 13, 2012 by Terry Teachout

“In the light of what has been said about persuasion-by-association and the enhancement of emotions by subliminal suggestion, let us try to imagine what the political meeting of tomorrow will be like. The candidate (if there is still a question of candidates), or the appointed representative of the ruling oligarchy, will make his speech for all to hear. Meanwhile the tachistoscopes, the whispering and squeaking machines, the projectors of images so dim that only the subconscious mind can respond to them, will be reinforcing what he says by systematically associating the man and his cause with positively charged words and hallowed images, and by strobonically injecting negatively charged words and odious symbols whenever he mentions the enemies of the State or the Party. In the United States brief flashes of Abraham Lincoln and the words ‘government by the people’ will be projected upon the rostrum. In Russia the speaker will, of course, be associated with glimpses of Lenin, with the words ‘people’s democracy,’ with the prophetic beard of Father Marx. Because all this is still safely in the future, we can afford to smile. Ten or twenty years from now, it will probably seem a good deal less amusing. For what is now merely science fiction will have become everyday political fact.”
Aldous Huxley, Brave New World Revisited

Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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