“It was in Rome during the autumn of 1877; a friend then living there but settled now in a South less weighted with appeals and memories happened to mention–which she might perfectly not have done–some simple and uninformed American lady of the previous winter, whose young daughter, a child of nature and of freedom, accompanying her from hotel to hotel, had ‘picked up’ by the wayside, with the best conscience in the world, a good-looking Roman, of vague identity, astonished at his luck, yet (so far as might be, by the pair) all innocently, all serenely exhibited and introduced: this at least till the occurrence of some small social check, some interrupting incident, of no great gravity or dignity, and which I forget I had never heard, save on this showing, of the amiable but not otherwise eminent ladies, who weren’t in fact named, I think, and whose case had merely served to point a familiar moral; and it must have been just their want of salience that left a margin for the small pencil-mark inveterately signifying, in such connections, ‘Dramatize, dramatize!’ The result of my recognizing a few months later the sense of my pencil-mark was the short chronicle of Daisy Miller.”
Henry James, preface to Daisy Miller
Terry Teachout on the arts in New York City
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